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Department of English

STRUCTURED EMPHASIS OPTIONS

The Structured Emphasis Option allows faculty members in a shared field to create a special curriculum for their students in order to assure that they receive appropriate and in-depth training. The Structured Emphasis options for each of the seven fields vary, but all involve interdisciplinary course work and doctoral study with participating faculty members.

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STRUCTURED EMPHASIS IN ETHNIC LITERARY STUDIES

The structured emphasis in ethnic literary studies requires a sustained engagement with ethnic studies theories and methodologies as well as an interdisciplinary knowledge of U.S. ethnic literary traditions and their interrelationships. Although the structured emphasis is comparative, students must focus on one of the following fields: African American, Asian American, Chicana/o and Latina/o, or Native American literatures. Students are also encouraged to analyze these fields in relation to U.S. and British literary canons as well as their transnational and interdisciplinary contexts.

REQUIREMENTS

 

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GRADUATE STUDY IN FILM STUDIES

The English Department has three faculty members in film studies and several other participating faculty members who also teach and write about film and media. The department offers courses on film history, theory, screen writing, and aesthetics. Additionally, the university abounds with film courses, taught by faculty in specialized areas of media study, fine arts, social sciences, foreign languages and area studies, journalism, and law.

The English Department offers a film studies focus for both masters and doctoral students: the M.A. in English with an Emphasis in Film Studies and the Ph.D. Structured Emphasis in Film Studies.

Ph.D. STRUCTURED EMPHASIS in FILM STUDIES

All regular Ph.D. program requirements apply.

The Structured Emphasis in Film Studies is designed for students interested in developing research and teaching skills in the areas of film and cultural studies. Students pursuing this emphasis design a course of study that enables them to develop specialized knowledge of film theory, criticism, and history in addition to a strong foundation in literary studies. This background equips them for advanced interdisciplinary research on a broad range of cultural texts, as well as teaching careers in departments seeking versatile scholars qualified to teach literature, writing, film studies, and popular culture.

Course Work and Exams

The structured emphasis consists of:

Students in the Structured Emphasis option also complete one area of the Qualifying Examination in the field of film studies, based on a reading list prepared by film studies faculty.

The qualifying examination reading list for the Film Studies structured emphasis can be found at http://www.uoregon.edu/~engl/graduate/FSQEReadingList.pdf .

Libraries and Resources

The University of Oregon and surrounding community offer many resources for graduate students interested in film and related fields. The Knight Library has excellent holdings in film studies scholarship and subscribes to the major journals within the field. In addition, the library participates in a large regional university collection, Summit, that allows campus members access to over twelve million volumes in a matter of a few days. In its Media Services department, within the past seven years, the Knight Library has increased its holdings of filmed material regularly taught in film classes, with the goal of building a core collection of classic films on videotape, laser disc and DVD. Film studies students also make use of the strong university program and archival holdings in folklore.

Furthermore, the film studies community at the university is enriched by a campus-wide undergraduate certificate in Film Studies, administered through the English Department. Among other benefits, this certificate's being housed in the English Department provides opportunities for graduate students to teach courses in film studies. In particular, four GTFs receive .4 appointments each year in the two-term Film History sequence. Teaching introductory courses as GTFs allows graduate students to refine their own intellectual perspectives on the media and to learn teaching and communication skills to convey those perspectives effectively to others. Those English Ph.D.s who develop a strong secondary field in film studies become conversant with the parameters of the discipline, learn how to write scholarly articles in the field, and gain teaching experience in film, and thus they greatly enhance their prospects as job candidates within English departments. In addition, as part of their course work toward the Ph.D., students pursuing a Structured Emphasis in Film Studies can take both screen writing and video production courses, so that they can gain a technical facility with film and video if they choose to do so.

There are many community resources for people interested in film and the creative arts in Eugene. The city and local community college are home to many groups, formally and informally organized, who are working in theater, improv acting, or fiction and dramatic writing; in these groups writers and artists meet in workshops and also frequently present their work to the public.  An undergraduate organization, House of Film, was founded by UO students in 1997 to assist those seeking careers in media industries. This small but dedicated student group maintains a website, provides opportunities to work together on production projects, and fosters connections among film faculty, students and state media groups, including the Oregon Film and Video Office and the Oregon Media Production Association. In Portland, the Northwest Film and Video Center programs special screenings of international and art cinema, has conferences with creative media artists, and offers short courses in all areas of film and video making.

Courses and Seminars

Courses taught on film in the English Department in recent years include the following: The Action Film, Advanced Screenwriting, Autobiography in Film, Avant-Garde Film, Comedy and the Grotesque, Continental Chinese Cinema, Dramatic Screenwriting, Feminist Film Criticism, Film and Folklore, Film Criticism, Film Noir, Film Theory and Cultural Studies, Folklore Film Production, History of the Motion Picture I and II, Hollywood Film Comedy, Indigenous People and Film, Media Aesthetics, The Musical, Narrative Theory and Film, Native Americans in Film, Queer Cinema, Race and Representation, Race and the Musical, Realism in Film, Romanticism in Film, Stars, Studies in Melodrama, Teen Girls and Popular Culture, Transnational Chinese Cinema, The Western, Women Directors, Women in Film.

English Faculty in Film Studies

Faculty Outside the English Department

Many UO faculty outside the English Department teach and publish on film, media, and related areas. These include the following:


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STRUCTURED EMPHASIS IN FOLKLORE

The structured emphasis in Folklore offers an interdisciplinary approach and perspectives on ethnic, regional, occupational, age, gender and other traditional identities of individuals in specific societies. Students study the extent to which tradition continues to enrich and express the dynamics of human behavior throughout the world. Folklore courses examine the historical, cultural, social, and psychological dimensions of such expressive forms as myth, speech, legend, music, dance, art, and architecture. Course content delves into cultures and makes cross-cultural comparisons. Theoretical analysis, research methods, and fieldwork techniques are integral parts of the program's offerings in folklore.

Participating Faculty:

Dianne Dugaw, Lisa Gilman, Sharon Sherman, Daniel Wojcik

Requirements: