The following
woodcuts open a window on the norms governing heterosexuality and
marriage in sixteenth-century Europe. The first two moralize on
mismatches of age and wealth. In the first, a young male dandy uses
sweet words and good looks to seduce a wealthy but lonely widow, but
his ulterior motive is purely selfish: to dominate her, take her money,
and indulge his taste for adulterous affairs. The second woodcut
taddles lascivious widowers who ignore the dangers of luring young
women in return for promises of wealth and security; alas, the young
woman's motives correspond perfectly with his recognition that only
money can deliver sex and caring across so great a disparity of age and
riches. Finally, the "Tamed Lion" offers an ambiguous verdict on
relations between woman and man in sex and marriage: is the lion a fool
for succumbing so easily to the blandishments of women? Or are women
the fools to think that the control him really? All translations are by
Steven Ozment, When Fathers Ruled: Family Life in Reformation Europe
(Cambridge: Harvard University Press, 1983), 61, 63, 71.
The Young Man and
the Old Widow
The Young Man: A young man, fine of body,
The Old Widow: The old widow looked on the young man,
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The Old Man and
the Young Girl
The Old Man: Once upon a time a very old man
The Young Girl: The girl understood the situation well;
Old and young do not go together,
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The
Tamed Lion
A.
No man is ever so high or good That he cannot be managed by a woman Who does his will In friendly love and service. B.
C.
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D.
How wonderfully you reflect Your taming at woman's hand, Bearing patiently what another Does to you against your will. E.
F.
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G.
How well you have been groomed! Now how lively and cheerful! One so spirited May have the company of women. H.
Lion:
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