Ming4
Summing up SUMMER
Cont.: Fashionable objects
Clothing
etc.
Sartorial regulations were transgressed
to an extent that social status was not clearly visible any longer in the
streets. Not only was inappropriate dressing common but the volatility of fashion
was created by a constant ‘re-writing’ of the rules of taste to distinguish
between refinement and vulgarity. Rules of taste referred to
► clothes, shoes, hats, ornaments;
► furniture
► food
► works of art (paintings,
antiques) and
► values
and beliefs.
On the concrete level the production of
fakes facilitated to keep up with the latest changes of fashion. On the
abstract level philanthropy was cultivated and ‘goodness calibrated’ by
creating a system that compared moral and monetary values.
Mandarin
robe
Mandarin square
(rank badge) of a civil official
Altar table
Ming cabinet
Ming chair
Minf blue-white porcelain
Books
Among the publications that became
fashionable in the mid-Ming were encyclopedias and almanacs that informed a
larger public about sources of officially accepted as well as restricted
knowledge. Fortune telling, erotica, novels etc. became widely available. (See
ming3). Knowledge about the strange inhabitants of foreign countries and their
habits was summarized in the richly illustrated three volume work Assembled Pictures of the Three Realms [i.e.
heaven, earth, and man] (Sancai tuhui).
Brook mentions the manual The Exploitation of the Works of Nature (Tiangong kaiwu) as a
work that although undoubtedly of great practical value disappeared from the
market. This is probably less due to the “unappealing” content as he supposes.
Song Yongxing (1587-1666?) was a highly critical
observer of the Ming - Qing transition and Manchu
politics. His works for this reason may not have been included in the imperial
catalogue Complete Works of the Four
Treasuries (Siku quanshu) of
the Qing Dynasty and therefore found little support
for reprints.
The Jesuit father Matteo
Ricci (1552-1610) describes in detail the technique of Chinese book production.
In return the Chinese official in the secondary capital of
The
Ming illustration: Gentlemen
in a tavern
Ming color print
Ming
illustration: Woman practicing embroidery
Route books and travel
Route books and prospects reveal that
private travel became a favorite past time of the well-to-do. While
►official travel had been a
necessity (to take up a new position or to inspect public works etc.) and were
facilitated by the service stations of the postal network, and
►commercial travel had been common
since the third emperor Yongle lifted the ban on
travel that his father had propagated,
► private
travel became popular only in the late Ming. With local gazetteers and route
books available to prepare travel and maintain orientation on the way “travel
had been absorbed into the gentry project of cultural
refinement” (Brook, 181).
► Women went on pilgrimages,
just like men. This was not always commented on favorably. Orthodox officials
regarded traveling women as rather disturbing, yet temple fairs attracted men
and women alike and the mobility of women increased remarkably.
Production for consumption
Grain and textiles
Grain was the ‘most traded consumption
item’ (Brook, 190) since the preparedness granaries that had been setup under
the rule of Emperor Hongwu were abandoned.
► The graineries were not maintained any longer when grain
transportation was facilitated (by the
► when workers could no longer be
recruited by the lijia
communities which disintegrated due to the changes in the pattern of occupation
that occurred since the early Ming, and
► when
the irrigation system designed for rice paddies was destroyed in those centers
in which paddies were transformed into cotton fields.
The production of grain and textiles
–during the early stage of the dynasty described as ideally accomplished by
labor division among genders (“men plough, women weave”) - could now be found
in regionally different centers of the empire:
Textile production saw extensive labor
division:
►Silk:
1. cultivation of mulberry trees (to feed silkworms with
leaves)
2.
letting the silkworm eggs hatch
3.
feeding the silkworms
4.
tending the silkworms as they stop eating and begin to
spin cocoons
5.
reeling the cocoons
6.
dressing the loom according to the pattern
7.
weaving
__________________________________________________________
8.
sale of fabric
► Cotton:
1.
cultivation of cotton plants
2.
picking cotton
3.
ginning cotton (removing the seed from the cotton ball)
4.
spinning
5.
dressing the loom and weaving
__________________________________________________________
6.
sale of fabric
In the late Ming merchants made the biggest
profits by buying cheap raw material which they distributed among the weavers
and selling the finished product for a high price. The merchants created a
market economy by
► using the state communication
system to link local economies
► organizing regional rural and
urban (workshop) labor into a consecutive production process
► linking production and
consumption
► involving the gentry society (and
thus improving their own social status)
Women in the Commercial Economy
Women were consumers and producers of
goods and services.
► As producers
of commodities they were textile workers in their own households. They produced
not only for the family, but worked for a surplus. Until the end of the Qing
Dynasty they became marginalized in the textile production because the workforce
of male weavers increased with growing diversity of occupations.
►As
producers of services they worked as teachers in the inner chambers, peddlers,
or prostitutes. Brothels were common institutions in Ming cities
visited by male sojourners and migrant workers in the cities who were too poor
to get married. Women could be sold to brothels by fathers or husbands, often they were bought by brothel owners as
orphaned victims after famines.
► In the
late Ming a “cult of romantic love” (often called the 'cult of qing'
=emotion, love) developed in which men searched for educated women as companions.
What made courtesanship attractive for the men who
could afford such a companion was that the relationship was neither based
on a family arrangement (like a marriage) nor was there any dowry transfer
to the family of the woman.
Instead men tried to meet soulmates who were educated on the level of their male
partners and trained in calligraphy, painting, poetry, musical performances,
and were able to participate in sophisticated discussions. Brook mentions that the cult of romantic love
was often used to cover up male “political insignificance and failed careers”.
The romantic loyalty to a lover was equalized to the loyalty to the endangered
and finally fallen dynasty.