J461 News Editing Syllabus

Fall 2019, Tuesday-Thursday, 2-5 p.m., Allen 303
John Russial
323 Allen Hall; 346-3750

This page can be found at http://pages/uoregon.edu/~jrussial/j461/sylf19.html

Some editing references can be found at http://pages.uoregon.edu/~jrussial/j461/


Office hours: Tue, Thu 10-11

I also tend to be around the office quite a bit at other times on Tuesdays and Thursdays.
Michelle Nicolosi, a doctoral student who has extensive journalism experience, is the GE for the class.
To send me E-mail: The address is jrussial@uoregon.edu if for any reason the link doesn't work.

Books

Strategic Copy Editing, Russial, 2004
The Newspaper Designer's Handbook (recommended, especially if you are interested in design and might eventually take a design class or Advanced News Editing), 7th ed., Tim Harrower and Julie Elman, (McGraw-Hill, 2013). Many professional newspaper editors and designers use Harrower's book as a reference. If you want a copy, you might find a 5th or 6th edition at a used book store.

Strategic Copy Editing is the basic text for the course, and I expect that you will have read the appropriate chapters for the week. The text reflects my approach to editing instruction, which I have developed over four decades of working as a copy editor and teaching editing. I have other editing textbooks that you are welcome to borrow to look at. Different editing texts agree on basic principles, but they sometimes take different approaches and offer different examples. There is a copy of Strategic Copy Editing on reserve in the Student Services Office in Allen Hall. The bookstore has some copies. Other copies are available on Amazon, many of them used in good condition.

We'll be using AP style in this course, so you should keep a current copy of the Associated Press Stylebook and Libel Manual handy.

As in other news courses, it's important to keep up with the news. This means you should be reading local media, including the Emerald. The Register-Guard now has a paywall, but you can read a limited number of articles for free. Try to read a major metropolitan paper, such as The Oregonian, whose website (oregonlive.com) does not have a paywall. You can read a number of stories per month in several other metro news sites, such as the New York Times, without subscribing.

Goals/objectives:

In this class you should develop:

Course overview

The course covers copy editing, headlines and design, pretty much in that order. In lectures, we'll discuss concepts and issues and look at a lot of examples. In labs, you'll be editing copy, writing headlines, captions and other display elements and designing pages. For most class meetings, the lab will cover the last two hours of the class.

Most, if not all, editors copy edit. Some editors focus more on story structure and broader questions; others focus more at the detail level of accuracy, grammar, spelling, punctuation and the like. I believe that an editor, and his or her publication, is best served by focusing across the levels--from smaller issues of detail to larger questions of fairness, approach and organization, and that's how we'll approach editing in discussions and in the daily assignments during the first three weeks.

Headline-writing is another fundamental aspect of editing. Many editors write headlines, captions and other forms of "display type" for print and/or online publication. These days, largely because of the growth of blogging and other social media forms such as Twitter, many reporters and writers also find themselves acting as editors as well as writers, producing headlines, captions and summary text. The labs during weeks 4-6 will primarily focus on headline and caption writing for both print and online.

Design is the third major focus of the class. At some publications, particularly large ones, design is a specialized function -- done by staff members who are designated as designers, though in some cases the title is different. At most smaller publications, copy editors do page design as well as word editing and headlines. Some large news corporations, such as Gannett and Gatehouse, have centralized copy editing and/or design functions for dozens of their publications, and those central "hubs" are staffed by copy editors, designers or, in some cases, people qualified to do both. Gannett has several hubs for its 100-plus community newspapers, and Gatehouse has created a huge hub in Austin to serve its many papers. Some other companies have regional hubs. We will spend the last several weeks doing page design, as well as integrating news judgment and headline and caption writing into design toward the end.

We will use InDesign to design pages. We'll also have a one-class workshop on HTML, and an outside web assignment will require some basic HTML coding.

So, overall, the class will focus on these three main editing areas, and the twice-weekly lab assignments are structured so students can employ the skills that we're discussing that week.

Time pressure will be a big part of the course, as it is in just about all publications. The online era has, if anything, increased time pressure for many reporters and editors. In practice, editing is a balancing act. Editors must know how to manage their time -- to work quickly yet thoroughly. This is a worthwhile skill for any media professional to develop.

Mandatory Attendance

This class is designated as "Mandatory First Class Attendance," which means that enrolled students must attend the first official meeting. Attendance will be taken during the first class. According to university policy, an enrolled student who does not attend the first official meeting of such courses will be dropped, unless the student has requested a waiver of the first class meeting policy for exceptional circumstances by contacting the instructor prior to the first meeting. Departments must report the students who do not attend the first official meeting to the Registrar's Office by 5 p.m. on the second day that the class meets, and the Registrar's Office will drop the students from the course. The university refund schedule applies.

Class sessions

Attendance is required throughout the term. Your grade is based largely on lab work, and the labs will draw heavily on what we talk about in the lecture/discussion portion of class. Readings from the text will help you improve your grade. Makeup work will be allowed in the case of unavoidable circumstances, such as illness, but I need to be told about this before the class is scheduled to meet, either in person, by phone message or E-mail. If you don't let me know before class, you might not be allowed to make up the work. I will accept other requests for makeup labs if you have a good reason, for example, a religious holiday or a family emergency, but I need to be informed in advance. In general, I won't allow makeups if you miss class to do work for another class or for student media, such as interviewing a source for a story. You should schedule those tasks at other times.

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Grading:

Grading will be based on criteria that newspapers and other publications use. In copy editing, that means work will be graded down for errors of spelling, punctuation, style, usage, etc. (See the grading guidelines.) Certain assignments will contain errors of fact, which you will be expected to catch using reference works and online sources available in the lab. Be careful, though, about checking facts online. Many websites contain errors. Clarity, conciseness, legal issues and organization are additional considerations. The criteria for headlines and design also reflect publishability criteria. See the Grading Guidelines for more detail.

Grades will be based on the following formula:

   Lab exercises70%
   Outside assignments *20%
   Class participation, evaluation **  10%

* One ongoing outside assignment will be to find (and fix) errors in newspapers such as the Emerald, Register-Guard and Oregonian. Any professional paper or magazine, print or online, can be used as well. I will explain this assignment in class.

** I'm looking for contributions to lecture discussions and evidence of improvement over the course of the term.

A Personal Note:

I've spent half a career as an editor, most of it as a copy chief. I like to edit, and I hope I can share some of the enthusiasm I have for editing. In any event, this course is worthwhile even if you've wanted to be a reporter or writer since you were 6. If there were such a thing as a newspaper oracle, it might say: Edit thyself.

Academic dishonesty.

The university is serious about this, and so am I. In the lab portion of this course, as in a newsroom, colleagues often discuss their work. You are, however, expected to do your own work and be graded on your own work. For example, when we write headlines, you need to work on your own headline, not glance at the headline of the person next to you and copy it. If you find a mistake in copy, don't broadcast it to the rest of the class. This class is taught in a lab, and most of the time you'll be sitting at a computer. That doesn't mean you can multitask during the lecture/discussion portion of the class. In other words, don't read your e-mail, register for classes, check scores on ESPN, bid on concert tickets on eBay, etc., during the lecture. As for the lab portion of the class, it's a good idea to spend the time on your assignment.

Here is a statement from the Dean of Students office on academic misconduct: The University Student Conduct Code (available at conduct.uoregon.edu) defines academic misconduct. Students are prohibited from committing or attempting to commit any act that constitutes academic misconduct. By way of example, students should not give or receive (or attempt to give or receive) unauthorized help on assignments or examinations without express permission from the instructor. Students should properly acknowledge and document all sources of information (e.g. quotations, paraphrases, ideas) and use only the sources and resources authorized by the instructor. If there is any question about whether an act constitutes academic misconduct, it is the student's obligation to clarify the question with the instructor before committing or attempting to commit the act. Additional information about a common form of academic misconduct, plagiarism, is available at on the UO library website.

Services available

The university has a list of services available to deal with sexual harassment, sexual violence or discrimination, including "confidential" employees. You can find information about these services on this site. Each resource is clearly labeled as either "required reporters," "confidential UO employee," or "off-campus" to allow you to select your desired level of confidentiality.

Any student who has difficulty affording groceries or accessing sufficient food to eat every day, or who lacks a safe and stable place to live, and believes this may affect their performance in the course, is urged to contact the Dean of Students Office (346-3216, 164 Oregon Hall) for support.

Accessible Education

The University of Oregon is working to create inclusive learning environments. Please notify me if there are aspects of the instruction or design of this course that result in disability-related barriers to your participation. You are also encouraged to contact the Accessible Education Center in 360 Oregon Hall at 541-346-1155 or uoaec@uoregon.edu.

Diversity and Inclusion

Diversity is supported and valued at the University of Oregon. We respect the dignity and essential worth of all individuals; reject bigotry, discrimination, violence, and intimidation; practice personal and academic integrity and expect it of others; and promote a diversity of ideas, opinions, and backgrounds.

If the weather is bad enough that I need to cancel class, I'll let you know by e-mail. I'll use the Duckweb e-mail list on the roster. Here is the university's general information on weather cancellations.

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Tentative schedule

Week of Sept. 30
Introduction, what editors do, style, grammar, punctuation, typical mistakes
Russial, Chapters 1, 2

Week of Oct. 7
Accuracy and precision issues: Numeracy and innumeracy, word editing, tone, sexism, stereotyping, fairness, libel
Russial, Chap. 3, 4, 6

Week of Oct. 14
Leads, organization, holes, inconsistencies
Cutting stories, combining stories, clarity, readability
Working with writers
Russial, Chap. 5, 7

Week of Oct. 21
Headlines, "rules," old and new
Russial, Chap. 8, 9

Week of Oct. 28
Writing good, appropriate headlines: News and features.
Print and online--similarities and differences.
Search engine optimization
A few web links about headlines and search engines
Russial, Chap. 10

Week of Nov. 4
Other display elements: captions, liftouts, summaries
Making display elements work together,
Russial, Chap. 11, 12

Week of Nov. 11
Web design and coding
Thinking visually, simple inside pages
Layout: principles, basic elements, history, terminology and technology
Russial, Chap. 13

Week of Nov. 18
Layout: Story design, larger inside pages
Use of photos, cropping, sizing
Harrower, Chap. 2, 4

Week of Nov. 25
News judgment, story selection, section fronts
No class Nov. 28, Thanksgiving
Harrower, Chap. 3

Week of Dec. 2
Magazine-size pages, photo packages, Page One
Russial, Chap. 14, 15
Harrower, Chap. 4

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