Prints from an Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza by Hasegawa Sadanobu III (Konobu III)
(Prints in The Lavenberg Collection)
Click on any image for details
(first edition with tissue overlay) IHL Cat. #2474 | Bunraku Theater Stage Set for Ichi-no-tani Futaba Gunki, 1926 IHL Cat. #2486 (first edition with tissue overlay) | Tamaori Hime in IHL Cat. #2487 |
IHL Cat. #2486 | (first edition with tissue overlay) IHL Cat. #2489 IHL Cat. #1659 (later edition) IHL Cat. #1659 | Hyakushō Yoichibei in Kanadehon Chūshingura, Act 5, 1926 IHL Cat. #2490 |
Bunraku Theater Stage Set for Kanadehon Chūshingura, Act VII, 1926 or 1927 (first edition with tissue overlay) IHL Cat. #2491 | Ōboshi Yuranosuke in Kanadehon Chūshingura, Act VII, 1926 or 1927 IHL Cat. #2492 | Yūjo Okaru in Kanadehon Chūshingura, Act VII, 1926 or 1927 IHL Cat. #2493 |
Igagoe dōchū sugoroku, 1926 (first edition with tissue overlay) IHL Cat. #2475 | Bunraku Theater Stage Set for Dan-no-ura Kabuto Gunki, 1926 or 1927 (first edition with tissue overlay) IHL Cat. #2478 | Hatakeyama Shigetada in Dan-no-ura Kabuto Gunki, 1926 or 1927 IHL Caty. #2479 |
Bunraku Theater Stage Set for Honchō Nijūshikō, 1926 or 1927 (first edition with tissue overlay) IHL Cat. #2476 | Honchō nijūshikō, 1926 or 1927 IHL Cat. #2477 | Bunraku Theater Stage Set for Natsumatsuri Naniwa Kagami, 1926 or 1927 (first edition with tissue overlay) IHL Cat. #2481 |
Issun Tokubei in Natsumatsuri Naniwa Kagami, 1926 or 1927 IHL Cat. #2482 | Bunraku Theater Stage Set for Shinjū Ten no Amijima, 1926 or 1927 (first edition with tissue overlay) IHL Cat. #2480 | (first edition with tissue overlay) IHL Cat. #2483 |
Omitsu in Shinpan Utazaimon, 1926 or 1927 IHL Cat. #2484 | Hisamatsu and Kyūsaku in Shinpan Utazaimon, 1926 or 1927 IHL Cat. #1656 and IHL Cat. #2485 | Bunraku Theater Stage Set for Sugawara Denju Tenarai Kagami, post-WWWII (orig. 1927) IHL Cat. #1528 |
(first edition with tissue overlay) IHL Cat. #2472 IHL Cat. #1658 (later edition) | Sasaki Takatsuna in Kamakura Sandaiki, 1927 IHL Cat. #2473 |
Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza, 1926-1927
by Hasegawa Sadanobu III (Konobu III)
The 12 sets/volumes of prints
The four print set for Yoshitsune zenbon sakura (Volume 2: published April 20, 1926)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Tsuzumi Tōta 皷藤太, Kitsune Tadanobu 狐忠信, Shizuka Gozen 静御前
The four print set for Ichi-no-tani Futaba Gunki (Volume 3: published May 20, 1926)puppets from left to right (as positioned on the stage set print's tissue overlay):Mukandayū (Mukannotayū) Atsumori 無官太夫敦盛, Kumagi Jirō Naozane 熊谷次郎直実, Tamaori Hime 玉織姫
The four print set for Chushingura Act V (Volume 4: published June 20, 1926)puppets from left to right (as positioned on the stage set print's tissue overlay):Hayano Kanpei 早野勘平, Hyakushō Yoichibei 百姓与一兵衛, Ono Sadakurō 斧定九郎
The four print set for Chushingura Act VII (Volume ?: published 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay):Ōboshi Yuranosuke 大星由良之助 , Yūjo Okaru 遊女お軽 , Teroka Heiemon 寺岡平右衛門
The four print set for Chushingura Act V (Volume 4: published June 20, 1926)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Hayano Kanpei 早野勘平, Hyakushō Yoichibei 百姓与一兵衛, Ono Sadakurō 斧定九郎
The four print set for Chushingura Act VII (Volume ?: published 1926 or 1927)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Ōboshi Yuranosuke 大星由良之助 , Yūjo Okaru 遊女お軽 , Teroka Heiemon 寺岡平右衛門
The four print set for Igagoe dōchū sugoroku (Volume 6: published September 20, 1926)puppets from left to right (as positioned on the stage set print's tissue overlay):Musume Oyone 娘お米, Oya Heisaku 雲助平作, Gofukuya Jūbei 呉服屋十兵衛
The four print set for Dan-no-ura Kabuto Gunki (Volume ?: published 1926 or 1927)puppets from left to right (as positioned on the stage set print's tissue overlay):Yūkun Akoya 遊君阿古屋, Hatakeyama Shigetada 畠山重忠, Iwanaga Saemon 岩永左衛門
The four print set for Natsumatsuri Naniwa Kagami (Volume ?: published 1926 or 1927)puppets from left to right (as positioned on the stage set print's tissue overlay):Tsurifun no Sabu 釣船の三婦, Issun Tokubei 一寸徳兵衛, Danshichi Kurobei 団七九郎兵衛
The four print set for Shinjū Ten no Amijima (Volume ?: publisher 1926 or 1927)puppets from left to right (as positioned on the stage set print's tissue overlay):Kamiya Jihei 紙屋治兵衛, Koya Magoemon粉屋孫右衛門, Kinokuniya Koharu 紀の国屋小春
The four print set for Shinpan Utazaimon (Volume ?: 1926 or 1927)puppets from left to right (as positioned on the stage set print's tissue overlay):Osome お染, Hisamatsu and Kyūsaku 久松久作 , Omitsu お光
The four print set for Shinpan Utazaimon (Volume ?: 1926 or 1927)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Osome お染, Hisamatsu and Kyūsaku 久松久作 , Omitsu お光
The four print set for Sugawara Denju Tenarai Kagami (Volume 9: published February 5, 1927)
puppets from left to right (as positioned on the stage set print's tissue overlay):Toneri Umeōmaru 舎人梅王丸, Toneri Sakuramaru 舎人桜丸, Toneri Matsummaru 舎人松王丸
The four print set for Kamakura Sandaiki (Volume 11: published July 15, 1927)puppets from left to right (as positioned on the stage set print's tissue overlay):Miuranosuke Yoshimura 三浦之助義村, Sasaki Takatsuna 佐々木高綱, Tokihime daughter of Tokimasa 時政息女時姫
The four print set for Kamakura Sandaiki (Volume 11: published July 15, 1927)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Miuranosuke Yoshimura 三浦之助義村, Sasaki Takatsuna 佐々木高綱, Tokihime daughter of Tokimasa 時政息女時姫
About the "Illustrated Collection of Famous Japanese Puppetsof the Osaka Bunrakuza"
Note: For background on the Bunraku puppet theater please see the list of reference materials at the bottom of this page.
This collection of forty-eight color woodblock prints was designed by Hasegawa Sadanobu III (Konobu III) (1881-1963), an Osaka-based artist with a deep interest in Japanese traditional theater, and issued over the period March 1926 (Taishō 15) to August 1927 (Shōwa 2)1 by the publishing houses Bijutsusha 美術社 in Tokyo and, on a subscription (members only) basis, by Hangakai hanmoto 版画会板元 (板畫會板元) in Kyoto. The cost per print set was 3 yen by subscription and 3 yen 50 sen for a single print set. The editor and publisher for both the Bijutsusha and Hangakai hanmoto sets was Hayashi Eikichi 林榮吉, who was also the editor for Hasegawa's Collection of One Hundred Kumadori Makeups in Kabuki. (See Hasegawa Sadanobu III (Konobu III) (1881-1963) for prints from this collection.)
The Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza consists of twelve sets of prints each set depicting a specific play in the bunraku repertory, as listed in the below table. Each set contains a stage set for the specific play along with three prints of puppet characters appearing in the play and an explanatory sheet, for a total of forty-eight color woodblock prints and twelve monochrome explanatory sheets. Each of the stage set prints was originally issued with a tissue overlay showing the position of the three puppet characters on the stage. All of the plays pictured were performed at the Bunraku Theater (Bunraku-za) located within the Goryō Shrine compound in Osaka. The Goryō Bunraku-za burned down in November 1926 after what has been described as "an extremely difficult managerial era" and "lost interest" by the public in the late Taishō era.2 It is unknown what role, if any, the management of the Goryō Bunraku-za may have played in the formulation and issuance of this print series in their efforts to revitalize the theater.
The prints as originally issued made use of deluxe printing techniques including embossing on many of the puppet robes and faces, use of woodgrain backgrounds, bokashi shading and black lacquer to highlight the wigs.
click on image to enlargeDetail of embossing, Tamaori Hime in
Ichi-no-tani Futaba Gunki, 1926 click on image to enlargeDetail of embossing, Issun Tokubei in Natsumatsuri Naniwa Kagami, 1926 or 1927
click on image to enlargeDetail of printing on fan to create 3D effect,Sasaki Takatsuma in Kamakura SandaikiNatsumatsuri Naniwa Kagami, 1927
click on image to enlargeDetail of woodgrain texture and bokashi in background,Hyakushō Yoichibei in Kanadehon Chūshingura, Act 5, 1926
1 Dates are taken from the colophons on the envelopes containing the print sets in the Waseda University Archives
click on image to enlarge Detail of embossing, Tamaori Hime inIchi-no-tani Futaba Gunki, 1926 | click on image to enlarge Detail of embossing, Issun Tokubei in Natsumatsuri Naniwa Kagami, 1926 or 1927 |
click on image to enlarge Detail of printing on fan to create 3D effect,Sasaki Takatsuma in Kamakura Sandaiki Natsumatsuri Naniwa Kagami, 1927 | click on image to enlarge Detail of woodgrain texture and bokashi in background,Hyakushō Yoichibei in Kanadehon Chūshingura, Act 5, 1926 |
2 National Diet Library website page http://www.ndl.go.jp/scenery/e/column/kansai/goryo_bunrakuza.html which provides a history of the Goryo Bunrakuza.
Reissued by Uchida Publishing
At a later date, likely after WWII, the publisher Uchida acquired the woodblocks for these prints and reissued many, if not all, of the prints. The Uchida puppet prints bear their octagonal Uchida hanmoto seal 版元 うちだ, as can be seen in the lower right corner of the below print on the right, and their prints typically have larger margins. The color palette was also altered on many of the Uchida reissued prints, although in the below first edition print on the left, the original orange ink has oxidized to a rich brown. I believe the stage set prints, although they do not carry Uchida's seal, were also reissued by Uchida but without the tissue paper overlays and added margins as can be seen in IHL Cat. #1658 Stage Set for Kamakura Sandaiki.
click on image to enlarge Sasaki Takatsuna in Kamakura Sandaiki left: as originally issued in 1927 by Bijutsusha and Hangakai hanmotoright: as reissued by Uchida Publishing, likely post-war.Note the small modification to the hair on the puppets head in the Uchida print.
Reissued by Uchida Publishing
At a later date, likely after WWII, the publisher Uchida acquired the woodblocks for these prints and reissued many, if not all, of the prints. The Uchida puppet prints bear their octagonal Uchida hanmoto seal 版元 うちだ, as can be seen in the lower right corner of the below print on the right, and their prints typically have larger margins. The color palette was also altered on many of the Uchida reissued prints, although in the below first edition print on the left, the original orange ink has oxidized to a rich brown. I believe the stage set prints, although they do not carry Uchida's seal, were also reissued by Uchida but without the tissue paper overlays and added margins as can be seen in IHL Cat. #1658 Stage Set for Kamakura Sandaiki.
click on image to enlarge
Sasaki Takatsuna in Kamakura Sandaiki
left: as originally issued in 1927 by Bijutsusha and Hangakai hanmoto
right: as reissued by Uchida Publishing, likely post-war.
Note the small modification to the hair on the puppets head in the Uchida print.
The Twelve Plays Portrayed
The Twelve Plays Portrayed
Play Name in Japanese Play Name in English 壇浦兜軍記
Dan-no-ura kabuto gunki Chronicle of the Battle of Dan-no-ura 義経千本桜
Yoshitsune senbon zakura Yoshitsune and the Thousand Cherry Trees 一の谷嫩軍記
Ichi-no-tani futaba gunki Chronicle of the Battle of Ichinotani 仮名手本忠臣蔵、五段目
Kanadehon Chūshingura, go danme The Treasury of Loyal Retainers, Act 5 仮名手本忠臣蔵、七段目
Kanadehon Chūshingura, shichi danme The Treasury of Loyal Retainers, Act 7 伊賀越道中双六
Igagoe dōchū sugoroku The Revenge at Igagoe 心中天網嶋
Shinjū ten no amajima The Love Suicides at Amijima 新版歌祭文
Shinpan Utazaimon The New Scandalous Ballad of Osome and Hisamatsu 菅原伝授手習鑑
Sugawara Denju Tenarai Kagami Sugawara and the Secrets of Calligraphy 本朝廿四孝
Honchō nijūshikō Twenty-four Examples of Filial Piety 鎌倉三代記
Kamakura sandaiki Three Generations of Kamakura Shoguns 夏祭浪花鑑
Natsumatsuri Naniwa kagami Summer festival at Naniwa (Osaka)
Play Name in Japanese | Play Name in English |
壇浦兜軍記 Dan-no-ura kabuto gunki | Chronicle of the Battle of Dan-no-ura |
義経千本桜 Yoshitsune senbon zakura | Yoshitsune and the Thousand Cherry Trees |
一の谷嫩軍記 Ichi-no-tani futaba gunki | Chronicle of the Battle of Ichinotani |
仮名手本忠臣蔵、五段目 Kanadehon Chūshingura, go danme | The Treasury of Loyal Retainers, Act 5 |
仮名手本忠臣蔵、七段目 Kanadehon Chūshingura, shichi danme | The Treasury of Loyal Retainers, Act 7 |
伊賀越道中双六 Igagoe dōchū sugoroku | The Revenge at Igagoe |
心中天網嶋 Shinjū ten no amajima | The Love Suicides at Amijima |
新版歌祭文 Shinpan Utazaimon | The New Scandalous Ballad of Osome and Hisamatsu |
菅原伝授手習鑑 Sugawara Denju Tenarai Kagami | Sugawara and the Secrets of Calligraphy |
本朝廿四孝 Honchō nijūshikō | Twenty-four Examples of Filial Piety |
鎌倉三代記 Kamakura sandaiki | Three Generations of Kamakura Shoguns |
夏祭浪花鑑 Natsumatsuri Naniwa kagami | Summer festival at Naniwa (Osaka) |
「長谷川小信筆 日本名物大阪文楽座人形画集 第二段」
click on image to enlarge
click on image to enlarge
The collection's title 日本名物大阪文楽座人形画集 (Ōsaka Bunraku-za Ningyō Gashū: Nihon Meibutsu) has been variously translated as Illustrated Collection of the Famous Japanese Puppets of the Osaka Bunrakuza; Book of Noted Puppets of the Bunrakuza Osaka and Famous Products of Japan: Osaka Bunraku Theatre Dolls, Book of Prints.
Colophons for the Tokyo-based Bijutsha set and for theKyoto-based Hangakai hanmoto supscription setcolophon accompanying the first set of prints published by Bijutsusha 美術社 in Tokyo大正十五年三月十五日摺刷printed: March 15, 1926大正十五年三月二十日發行issued/published: March 20, 1926定価参圓五拾銭30銭せlist price: 3 yen, 50 sen 編輯兼 發行者 林榮吉editing and publishing Hayashi Eikichi筆者 長谷川小信 artist: Hasegawa Sadanobu彫師 佐藤重一carver: Jūichi Satō摺師 板垣八重松woodblock printer: Itagaki Yaematsu發行所 美術社publishing house: BijutsushaSource: National Diet Library colophon accompanying the 4th set of prints publishedby Hangakai hanmoto 板画會板元 in Kyoto and sold to "members only"大正十五年六月十五日摺刷printed: June 15, 1926大正十五年六月二十日發行issued/published: June 20, 1926 會費参圓也 會員限ニ限リ membership fee: 3 yen limited to members only編輯兼 發行者 林榮吉editing and publishing Hayashi Eikichi筆者 長谷川小信 artist: Hasegawa Sadanobu彫師 佐藤重一carver: Jūichi Satō摺師 板垣八重松woodblock printer: Itagaki Yaematsu發行所 板画會板元publishing house: Hangakai hanmoto
Reference Materials
Bunraku: The Art of the Japanese Puppet Theatre, Donald Keene and Hiroshi Kaneko, Kodansha International, Ltd., 1965
Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf
Columbia University Libraries: The Barbara Curtis Adachi Bunraku Collection
National Theatre of Japan Japan Arts Council: Invitation to Bunraku
Nippon.com: The Rich History and Uncertain Future of Bunraku Puppet Theater
"A Note on Bunraku" by Susan Sontag, appearing in The Threepenny Review, No. 16 (Winter, 1984) p. 16.
Stage set for the play Imoseyama Onna Teikin
image source: Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf
last revision:
5/16/2021 created
Colophons for the Tokyo-based Bijutsha set and for the
Kyoto-based Hangakai hanmoto supscription set
Reference Materials
colophon accompanying the first set of prints published by Bijutsusha 美術社 in Tokyo大正十五年三月十五日摺刷printed: March 15, 1926大正十五年三月二十日發行issued/published: March 20, 1926定価参圓五拾銭30銭せlist price: 3 yen, 50 sen編輯兼 發行者 林榮吉editing and publishing Hayashi Eikichi筆者 長谷川小信artist: Hasegawa Sadanobu彫師 佐藤重一carver: Jūichi Satō摺師 板垣八重松woodblock printer: Itagaki Yaematsu發行所 美術社publishing house: BijutsushaSource: National Diet Library colophon accompanying the 4th set of prints publishedby Hangakai hanmoto 板画會板元 in Kyoto and sold to "members only"大正十五年六月十五日摺刷printed: June 15, 1926大正十五年六月二十日發行issued/published: June 20, 1926會費参圓也 會員限ニ限リmembership fee: 3 yen limited to members only編輯兼 發行者 林榮吉editing and publishing Hayashi Eikichi筆者 長谷川小信artist: Hasegawa Sadanobu彫師 佐藤重一carver: Jūichi Satō摺師 板垣八重松woodblock printer: Itagaki Yaematsu發行所 板画會板元publishing house: Hangakai hanmoto
Bunraku: The Art of the Japanese Puppet Theatre, Donald Keene and Hiroshi Kaneko, Kodansha International, Ltd., 1965
Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf
Columbia University Libraries: The Barbara Curtis Adachi Bunraku Collection
National Theatre of Japan Japan Arts Council: Invitation to Bunraku
Nippon.com: The Rich History and Uncertain Future of Bunraku Puppet Theater
"A Note on Bunraku" by Susan Sontag, appearing in The Threepenny Review, No. 16 (Winter, 1984) p. 16.
Stage set for the play Imoseyama Onna Teikin
image source: Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf
last revision:
5/16/2021 created