About This Print
This print is one of twenty-nine colored woodblock prints designed by Mizushima for the sketch-tour book (travel journal) Fifty-Three Stations of the Tōkaidō [supplement] Seto Inland Sea issued in March 1920 by the publishing house Kanao Bun'endō. It appears in the Inland Sea portion of the book and depicts the harbor area surrounding Osaka, Chikko. While Osaka was a busy industrial port by 1920, having expanded during WWI, the artist chooses to show us small boats with their sails aloft in the foreground with the area's modern skyline in the distance.
Osaka Port in Chikko
Source: website of City of Osaka https://www.city.osaka.lg.jp/contents/wdu020/port/information/outline.html
Known in ancient times as "Suminoenotsu," "Naniwatsu," the Port of Osaka served as an embarkation point for ships travelling to and from the Korean Peninsula and China. Since its opening to foreign trade in 1868, Osaka based industry and trade began to thrive and the number of vessels utilizing the Port of Osaka increased dramatically thanks to the construction of a new port. The Port of Osaka, as one of the nation’s leading ports, entered an age of prosperity, becoming one of Asia’s major trade ports. The port continues to prosper as a thriving international trading port through its commitment to overhauling facilities, utilizing state-of-the-art technology and providing improved port services. Handling around 80 million tons of cargo annually and linked to about 600 ports in approximately 140 countries and regions, the port is supporting economic activities and everyday lives of 21 million people in Kinki region.
The Sketch-Tour Book:
Fifty-Three Stations of the Tōkaidō [supplement] Inland Sea
Issued in March 1920 by the publisher Kanao Tanejirō, this work has been called the last book of the sketch-tour genre. [For more information on this genre see the section "Sketch-Tour Genre" under the biography of Nakazawa Hiromitsu (1874-1964).] Written and illustrated by Mizushima Nihofu the book contains twenty-nine color woodblock prints and forty-nine monochrome woodblock prints. In his article "Sketch-tour Books and Print of the Early Books Twentieth Century" Scott Johnson writes:
Nihou's [Nihofu's] travel journal text is further embellished with cartoons and lighthearted dialogue. Nihou was capable of creating powerful compositions on the post-card sized pages of this book. Perhaps because cartooning trained him to make the most of small areas, some of Nihou's woodcuts and line illustrations create muscular, nearly monumental effects by modest means. As a phenomenon of graphic art in book form, the sketch-tour book finished with Nihou's 1920 Tōkaidō gojus̄an-tsugi Fu Setonaikai fifteen years after Hiromitsu [Nakazawa Hiromitsu (1874-1964)] had started it with his pioneering Gojūsantsugi Suketchi.1
1 "Sketch-tour Books and Print of the Early Books Twentieth Century", appearing in Andon 37 , June 1991,
Print Details
IHL Catalog | #2355 |
Title | Osaka, Chikko 大阪築港 [title as it appears on the right of the bottom margin] |
Book | Fifty-Three Stations of the Tōkaidō [supplement] Seto Inland Sea [traveler's journal] Tōkaidō gojus̄an-tsugi Setonaikai [kikō] 東海道五十三次 瀬戸内海 [紀行] |
Artist | Mizushima Nihofu (Nihou) (1884-1958) |
Signature | not signed on print colophon - author: Mizushima Nihofu 著作者水島爾保布 |
Seal of the artist | no seal |
Date | March 15, 1920 |
Edition | first and only edition |
Publisher | 發行者 金尾種次郎 publisher Kanao Tanejirō 發兌元 金尾文淵堂 publishing house Kanao Bun'endō |
Printer | Nishimura Kumakichi 西村熊吉 |
Carver | unknown but possibly Ōkura Hambei 大倉半兵衛 |
Impression | excellent |
Colors | excellent |
Condition | good - overall light toning |
Genre | shasei kikō (sketch-tour); zuroku 図録 (illustrated book) |
Miscellaneous | |
Format | |
H x W Paper | 7 5/16 x 4 7/16 in. (18.6 x 11.3 cm) |
H x W Image | 4 x 3 3/16 in. (10.2 x 8.1 cm) |
Collections This Print | Collections holding the entire book: University of Southern California Library DS894.59.T632 M59 1920; Princeton University Library DS894.59.T632 M59 1920 [entire book is online]; Smithsonian Freer/Sackler Galleries FSC-GR-780.419.1-2 |
Reference Literature |
8/11/2020 created