Prints in Collection
Instructive Models of Lofty Ambition, 1886
IHL Cat. #1036
IHL Cat. #2254
Biographical Data
Biography
Utagawa Kuniaki II 二代 歌川国明 (1835-1888)Sources: A Dictionary of Japanese Artists: Painting, Sculpture, Ceramics, Prints, Lacquer, Laurance P. Roberts, Weatherhill, 1976, p. 95; The Hotei Encyclopedia of Japanese Woodblock Prints, Amy Reigle Newland, Hotei Publishing Company, 2005, Volume 2, p. 503.
Utagawa Kuniaki II, was born to the Hirasawa (or Hirazawa) 平沢 family and later adopted by the Hachisuka 蜂須賀 family.1 His familiar name was Onojirō 斧二郎. He was the younger brother of, or perhaps the same person as, the artist known as Utagawa Kuniaki I and the same prints are sometimes attributed to one or the other. He studied with Utagawa Kunisada I (1786–1865) and in addition to Kuniaki 国明 he used the artist names (gō) Hōsai 鳳斎, Ippōsai 一鳳斎, Ichiosai 一凰齋, Onojirō 斧二郎 and Hachisuka 蜂須賀.
His genre included prints of wrestlers (sumo-e), actors (yakusha-e), beauties (bijin-ga) and westerners (Yokohama-e). While considered a minor artist of his time, his print The Wrestler Onaruto Nadaemon of Awa Province (see below) became famous, as it is pictured in Manet's 1868 portrait of Emile Zola (see below.)
of Awa Province, 1860
Utagawa Kuniaki II (1835-1888)
1 The British Museum website http://www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=146316 tells us of a different origin of the artist stating that Kuniaki's father, Tatsunosuke, was a minor samurai in thefourteenth division of castle guards.
国明画
国明画
within Toshidama cartouche
應需 国明筆
應需 国明筆
with manji seal
應需 国明
with manji seal
應需 国明
with manji sealHachisuka Kuniaki hitsu
蜂須賀国明筆
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