Shinmon Aoki, Coffinman
Shinmon Aoki, Coffinman (1937-present); Rubin
"Hurricane" Carter (1937-2014); Viktor Frankl (1905-1997); C. G. Jung
(1875-1961); Friedrich Nietzsche (1875-1900); Soren Kierkegaard
(1813-1855)
Shinmon Aoki is an author and mortifician. His work, Coffinman,
is a memoir that recounts his experiences
being forced to leave college early, inability to make a living, and
ending up working as a mortician who dresses dead corpses for wakes and
funearals. Growing up in area steeped in Shin Buddhism, the largest sect
of Japanese Buddhism, and in the stream of East Asian Pure Land Buddhism,
he comes to see himself as a limited person, a 'foolish being,'
illuminated by the infinite light of awakening (Amida Buddha).
- Dark Sides - layers and inversions: In Shin Buddhism,
karmic evil and the blind passions of a foolish being are the dark
side. Shinran, the founder of Shin Buddhism (1173-1232) defined this
not only universally and philosophically, but also socially and
institutionally, coming to see the wealthy monks of the dominant
Tendai order as corrupt and too blind to see their own arrogance.
- By the time of Aoki in the early twentieth century, Shin
Buddhism itself had come to constitute the largest Buddhist
institutions. As their primary source of income, Buddhist priests were
largely preoccupied with funerals and memorial services, leaving little
time to attend to the spiritual path. Aoki, the coffinman, was an
outcast as his family and society rejected him for doing the dirty
work of handling dead corpses and of making his livelihood off of the
dead. Yet, without him, the 'high class' priests could not do their
work, showing the dark side of Buddhist clerics.
- As Aoki attends to the dead, he comes to see death
more intimately, and the inseparability of life and death. He uses the
metaphor of mizore, the sleet-like state in which rain and
snow are inseparable. This Life-Death inseparability or nonduality is
only given in the awareness of the present moment, in which each
person, each living being begins to disclose in true nature, emanating
a kind of infinite light that is expressive of a nonduality or oneness
beyond words.
- 'Light' thus comes to take many different meanings:
1) the usual, visible light, 2) the metaphorical light of illuminating
insight, and 3) a palpable, experiential light that comes from beyond
words and yet is not the same as the usual, visible light.
- Turning points: In this autobiographical account, we
see Aoki undergo a series of transformations. Each one can be seen as
a turning point that signals his self-transformation. Included among
these are: encounter with his ex-girlfriend, who accepts him
unconditionally; he encounter with the maggots coursing through a dead
corpse, in which he comes to see each maggot as conveying the infinite
light of the oneness of all things; and deathbed encounter with his
uncle, who had earlier rejected him but now thanks him, and with whom
he reconciles in the gentleness of the light of oneness.
Themes of the Dark Side
- death taboo, confrontation with death
- classism
- social arrogance and spiritual irrelevance of the
priesthood
Comparisons
Aoki: life and death; blind passions and boundless
compassion/infinite light; duality and nonduality/oneness
Kierkegaard: faith and doubt; sin and redemption; good and evil
Krishna, Arjuna, and the Bhagavad Gita: karma and liberation
(moksa); delusion and knowledge (jnana; gnosis)
Jung: conscious and unconscious; the shadow, complexes, and archetypes;
the healing power of the Self (vs ego-consciousness)
Frankl: meaning and meaninglessness
Carter: being asleep to the truth and awakening to oneness of the true
Self