About This Print
Despite Tonbee’s scheme, his daughter, Ofune, fell in love with Yoshimine at first sight. She betrayed her father and let Yoshimine and Utena get away in order to protect the one she loved. Then she was killed by her father, Tonbee, for Yoshimine. Before dying, Ofune used her last strength and beat a drum, which is the sign to lift a siege, to let Yoshimine and Utena escape."
The Series One Hundred Roles of Ichikawa Danjūrō
Source: Time Present and Time Past: Images of a Forgotten Master: Toyohara Kunichika (1835-1900), Amy Reigle Newland, Hotei Publishing, 1999, p. 127 and 26.
"In 1893 Kunichika undertook a commission for two series of single-sheet portraits that were each dedicated to an individual actor. The first of these, One hundred roles of Danjūrō, featured the major roles of Ichikawa Danjūrō IX (1838-1903) in a set of half-length portraits. A square cartouche in the upper register of each print contains a verse or illustration, and the series title cartouche is backed by peonies, a flower associated with Danjūrō IX."
“While his best-known pieces from this period are triptychs, Kunichika produced some outstanding series of single-sheet portraits, such as the One hundred roles of Ichikawa Danjuro IX (Ichikawa Danjuro engei hyakuban) and One hundred roles of Baiko (Baiko hyakushu no uchi). Like Kunisada’s set of ‘large-head’ portraits, Kunichika’s two series may be regarded as ‘monuments to his [Kunichika’s] career’. Whilst Kunisada attempted an overview of all the greatest actors of the age, Kunichika’s two series focus on the Kabuki doyens, Ichikawa Danjuro IX and Onoe Kikugoro V.
The publisher Fukuda Kumajiro (together with Gusokuya Kahei) commissioned Kunichika to begin work on the One hundred roles of Ichikawa Danjuro IX in 1893. The series was completed posthumously in 1903, the year of the actor’s death and under the supervision of Fukuda Shojiro (d. 1925.) The prints in the series were sumptuously printed using expensive materials and techniques. Each image documents the actor’s most successful roles; a text or illustration appears in the upper register.”
Print Details
| IHL Catalog | #1980 |
| Title (Description) | Ichikawa Danjūrō 市川団十郎 as Sendo [Ferryman] Tonbei 船頭頓兵衛 [in the play Shinrei Yaguchi no watashi 神霊矢口渡] |
| Series | One Hundred Roles of Ichikawa Danjūrō 市川団十郎演芸百番 Ichikawa Danjūrō engei hyakuban |
| Artist | Toyohara Kunichika (1835–1900) |
| Signature |  |
| Seal | Toshidama seal below signature as shown above |
| Publication Date | April 1898 (as printed in left margin 明治卅一年四月 日印刷仝月 日発行) |
| Publisher |  |
| Carver |  |
| Impression | excellent |
| Colors | excellent |
| Condition | excellent - margins slightly trimmed; unbacked, some bleeding of red ink in left margin; bleeding of red ink into green area lower right of print; minor soiling in white hair |
| Genre | ukiyo-e; yakusha-e |
| Miscellaneous | the telephone number 294 "二九四" for the publisher is printed at the bottom of the left margin |
| Format | vertical oban |
| H x W Paper | 13 15/16 x 9 3/8 in. (35.4 x 23.8 cm) |
| H x W Image | 13 1/8 x 8 9/16 in. (33.3 x 21.7 cm) |
| Literature | |
| Collections This Print | Smart Museum of Art, The University of Chicago 2015.558; Honolulu Museum of Art 26510; Waseda University Cultural Resource Database 007-1801 and 007-1936 |
11/15/2018
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