About This Print
1 According to the The Ohtsuki Noh Theatre Foundation website "recent scholarship suggest a later author."
The Play - Miidera (The Miidera Temple) by Zeami
Source: A Guide to No, P.G. O'Neill, Hinoki Shoten, 1929, p. 108.Characters:
Waki - the poet-priest SaigyōKyōgen - a servantWaki-tsure - three or four peole flower-viewingShite - the spirit of an old charry tree
An old cherry tree beside the Saigyō's retreat comes into full bloom, but just when the poet resolves to enjoy the beauty of it quietly on his own, a group of people come there on a flower-viewing trip. Saigyō composes a poem in which he blames the cherry itself for the noisy intrusion, but while he is resting beneath the tree later, the spirit of the cherry comes to him and denies that it is to blame. It then dances to express the delight to be found in the spring blossom. The dream then fades, and Saigyō awakes.Source: The Beauty of Silence: Nō and Nature Prints by Tsukioka Kōgyo (1869-1927), Robert Schaap & J. Thomas Rimer, Hotei Publishing, 2010, p. 112.
Saigyō (1116-1190), one of the greatest poets in the Japanese waka tradition, wrote a poem conveying the sentiments that formed the idea for the narrative in this play. It is included in Saigyō's colection Sankashū (Poems of a Mountain Dwelling) (no. 87):
"Flowers! Do let's look!" -
and on they come,
amateurs in droves.
Ah, lovely blossoms,
this is all your fault!
Transcription of Summary of Play (as it appears in the right margin)
Source: Art Research Center, Ritsumeikan University http://www.dh-jac.net/db/nishikie/results-big.php?f00=%253d%2522%258c%25f6%258a%254a%2522&f1[]=arcUP1004&f11[]=1&-max=1&singleskip=0&enter=default&skip=0
Print Details
IHL Catalog | #1748 |
Title | Saigyō Zakura 西行桜 (Saigyō and the Cherry Tree) |
Series | Nōgakuzue 能樂圖繪 (Illustrations of Noh) |
Artist | Tsukioka Kōgyo (1869-1927) |
Signature | Kōgyo 耕 漁 |
Seal | Red letter seal in an irregular oval shape: 辯 [Ben] as shown above |
Date | Printed on March 1, 1900 / Issued (trimmed on this print) 明治三十三年三月一日印刷 / |
Edition | unknown |
Publisher | Matsuki Heikichi (Daikokuya Heikichi 大黒屋平) [Marks: pub. ref. 029] Address: 日本橋区吉川町二番地 |
Carver | |
Impression | excellent |
Colors | excellent |
Condition | good - minor toning; diagonal bend in paper upper left corner and lower right corner; green ink marking "6" in upper left margin corner; not backed; two pieces hinging tape top corners verso |
Genre | ukiyo-e; 能楽図絵 Nōgaku zue [Noh play picture] |
Miscellaneous | silver metallic highlights on inset and burnishing on hat; the Museum of Fine Arts, Boston notes: Part II, Section I (kōhen, jō) |
Format | ōban yoko-e |
H x W Paper | 9 1/2 x 14 1/4 in. (24.1 x 36.2 cm) |
H x W Image | 8 13/16 x 13 1/16 in. (22.4 x 33.2 cm) area within printed black border |
Collections This Print | The British Museum 1949,0409,0.12 (1899); Art Research Center, Ritsumeikan University arcUP0840 (March 5, 1900); Art Institute Chicago 1939.2258.157 (1898); University of Pittsburgh 20091209-kogyo-0343 (March 5, 1890); Ruth Chandler Williamson Gallery 2009.7.7 (March 1, 1900) |
Reference Literature | The Beauty of Silence: Nō and Nature Prints by Tsukioka Kōgyo (1869-1927), Robert Schaap & J. Thomas Rimer, Hotei Publishing, 2010, p. 112. |