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For background on the Noh theater see the article on this site "Noh - A Brief Summary by Beata Kubiak Ho-Chi".

The Play - Sotoba Komachi (Komachi on the Gravepost) by Kanami

On their way to the capital, a group of priests come across an old beggar woman sitting on a wooden grave marker (sotoba).  They try to chase her away, admonishing her with scriptures.  She reproaches them with even more learned quotations from scripture.  The priests are surprised and bow low in apology.  She reveals that she is Ono Komachi, the once beautiful and famous poetess.

Suddenly she is seized by the ghost of Fukakusa, the suitor who she had forced to visit her one hundred nights to gain her love.  She reenacts his miserable visits and subsequent death, in a dance.  The ghost finally leaves her, and she becomes calm once more.¹

CHORUS (speaking for KOMACHI, while she, dressed as her lover Shōshō, mimes the night-journey).

Pulling down over my ears the tall, nodding hat,
Tying over my head the long sleeves of my hunting cloak,
Hidden from the eyes of men,
In moonlight, in darkness,
On rainy nights I traveled; on windy nights,
Under a shower of leaves; when the snow was deep,

KOMACHI.

And when water dripped at the roof-eaves,--tok, tok . . .²

¹ Noh, Daiji Maruoka & Tatsuo Yoshikoshi, Hoikusha Publishing Co., Ltd., March 1970, p. 66.
² The No Plays of Japan, Arthur Waley, BiblioLife, 2009 (originally 1921) p. 114.