publisher: Takemura Hideoimage: 5 7/16 x 3 9/16 in.sheet: 5 9/16 x 3 11/16 in.IHL Cat. #1453 publisher: unknownimage: 3 3/8 x 5 5/16 in.sheet: 3 11/16 x 5 3/4 in.IHL Cat. #1535 publisher: unknownimage: 5 3/4 x 4 1/16 in.sheet: 5 13/16 x 4 1/8 in.IHL Cat. #1534
publisher: unknown (possilbly Takemura Hideo)image: 5 3/16 x 3 5/16 in.sheet: 5 3/8 x 3 7/16 in.IHL Cat. #1452 after Hiroshige's Fuchū, Nichō-machi, No. 6 from a Hiroshige harimaz-e series Pictures of the Fifty-Three Stations of the Tokaido, orig. 1856publisher: unknown (possilbly Takemura Hideo)
image: 5 3/16 x 3 5/16 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1458 publisher: unknown (possilbly Tahemura Hideo)image: 5 1/4 x 3 5/16 in.sheet: 5 3/8 x 3 7/16 in.IHL Cat. #1450
Small Format Reproduction
undated (c. 1930s)
after Hiroshige's, Kuwana: Ferryboats at Shichiri, No. 43 from the series Famous Sights of the Fifty-three Stations, orig. 1855
publisher: unknown (possilbly Tahemura Hideo)
image: 5 1/8 x 3 5/16 in.
sheet: 5 1/4 x 3 3/8 in.
IHL Cat. #1449 after Hiroshige's Kiyomizu Hall and Shinobazu Pond at Ueno,publisher: Takemura Hideoimage: 5 1/8 x 3 5/16 in.sheet: 5 1/4 x 3 3/8 inIHL Cat. #1447 publisher: Takemura Hideoimage: 5 1/8 x 3 5/16 in.IHL Cat. #1448
sheet: 5 1/4 x 3 3/8 in
IHL Cat. #1444publisher: Takemura Hideo(13.5 x 8.9 cm)image: 5 1/8 x 3 5/16 in.sheet: 5 5/16 x 3 1/2 in. after Hiroshige's View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya, No. 36 from the series One Hundred Famous Views of Edo, orig. 1857publisher: Takemura Hideoimage: 5 1/8 x 3 5/16 in.sheet: 5 1/4 x 3 7/16 in.IHL Cat. #1445
from the series One Hundred Famous Views of Edo, orig. 1858publisher: Takemura HideoIHL Cat. #1446image: 5 1/8 x 3 5/16 in.sheet: 5 1/4 x 3 7/16 in.
Small Format Reproduction,
undated (c. 1930s)
after Hasegawa Chikuyō's Sacred Bridge from the series 12 Views of Famous Places in Nikko,
orig. 1880
publisher: unknown (possilbly Tahemura Hideo)image: 5 3/16 x 3 5/16 in.sheet: 5 3/8 x 3 7/16 in.IHL Cat. #1451
-intentionally left blank-
-intentionally left blank-
Bridge and Lantern in Evening Snow (untitled)
(print and preparatory painting), undated (c. 1930s)
artist: signature unread (possibly 福太 Fukuta)
publisher: unknown (possilbly Tahemura Hideo)image: 5 7/16 x 3 1/2 in.sheet: 5 5/8 x 3 11/16 in.IHL Cat. #1425 and #1697
Cherry Tree, Lantern, Boat on Pond (untitled)
(print and preparatory painting)
undated (c. 1930s)
artist: signature unread (possibly 福太 Fukuta)
publisher: unknown (possilbly Tahemura Hideo)image: 5 7/16 x 3 1/2 in.sheet: 5 9/16 x 3 11/16 in.IHL Cat. #1421 and #1698
Snow in Yamagata 山形の雪
(painting)
undated
artist: unread artist seal
image: 5 3/8 x 3 9/16 in.
sheet: 5 11/16 x 3 7/8 in.
IHL Cat. #1699
Temple and Trees (untitled)
(preparatory painting),
undated (c. 1930s)
artist: unknownimage: 5 1/2 x 3 1/2 in.sheet: 5 7/8 x 3 7/8 in.IHL Cat. #1700
-intentionally left blank-
Farmhouse in snow (untitled),undated (c. 1930s)artist: signature unread
(possibly 福太 Fukuta)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 1/2 x 3 1/2 in.
sheet: 5 5/8 x 3 5/8 in.
IHL Cat. #1426
Pagoda and pond (untitled),
undated (c. 1930s)
artist: signature unread
(possibly 福太 Fukuta)
publisher: unknown (possilbly Tahemura Hideo)
image:5 7/16 x 3 1/2 in.
sheet: 5 9/16 x 3 5/8 in.
IHL Cat. #1420
Tori in snow (untitled).
undated (c. 1930s)
artist: signature unread
(possibly 福太 Fukuta)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 7/16 x 3 9/16 in.
sheet: 5 5/8 x 3 11/16 in.
IHL Cat. #1429
Geisha with Lantern Under a Crescent Moon (untitled),
undated (c. 1930s)
artist: unread signature
publisher: Takemura Hideo
image: 5 1/4 x 3 3/8 in.
sheet: 5 5/16 x 3 1/2 in.
IHL Cat. #1459
Tenmangū 天満宮 神社の?,
undated (c. 1930s)
artist: unknown
publisher: unknownimage: 5 1/16 x 3 1/4 in.sheet: 5 5/8 x 3 3/4 in. [trimmed on bottom and right]IHL Cat. #1700
Torii on a Snowy Evening (untitled), undated (1950s/1960s)
artist: "Tomoe"
publisher: Watanabe Shōzaburō
image: 5 3/8 x 3 3/8 in.
sheet: 5 11/16 x 3 9/16 in.
IHL Cat. #656
Edo no Haru 江戸の春
(Edo in Spring),
undated (c. 1930s)
artist: Inagaki Kadō
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 1/2 x 3 1/2 in.
sheet: 5 5/8 x 3 5/8 in.
IHL Cat. #1423
After Shōtei's Shrine by the River, undated (c. 1930s)
artist: unknown
publisher: unknown (possilbly Tahemura Hideo)
image: 5 1/2 x 3 1/2 in.
sheet: 5 5/8 x 3 5/8 in.
IHL Cat. #1454 Fuji from Lake Kawaguchi (untitled), undatedartist: unknownpublisher: unknownimage: 3 1/8 x 2 3/16 in.sheet: 3 3/8 x 2 3/8 in.IHL Cat. #1028
Suzukawa 鈴川,
undated (c. 1950s)
artist: unknown
publisher: unknown (possibly Baba Nobuhiko based on "ba" 馬 character seal)
image: 5 9/16 x 3 5/8 in.
sheet: 5 3/4 x 3 13/16 in.
IHL Cat. #660
Fuji from lake with bamboo (untitled), undated (c. 1950s)
artist: "Shien" [a seal used by Watanabe from the 1930s until the 1950s for a number of small prints designed by unnamed shin hanga artists.]
publisher: Watanabe Shōzaburō
image: 5 3/4 x 3 7/8 in.
sheet: 5 7/8 x 4 in.
IHL Cat. #661
Torii at Miyajima (untitled),
undated (c. 1950s)
artist: "Shien" [a seal used by Watanabe from the 1930s until the 1950s for a number of small prints designed by unnamed shin hanga artists.]
publisher: Watanabe Shōzaburō
image: 5 7/8 x 3 5/8 in.
sheet: 6 1/16 x 3 3/4 in.
IHL Cat. #657
Kyoto Kinkakuji 京都金閣寺, undated (1930/1936)
artist: Kawase Hasui (1883-1957)
publisher: Watanabe Shōzaburō
image: 5 5/16 x 3 7/16 in.
sheet: 5 7/8 x 3 15/16 in.
IHL Cat. #1538
Kinkakuji 金閣寺,
undated (1930/1936)
artist: unknown
publisher: unknown
[similar to Hasui Hp-45]
image: 5 11/16 x 3 3/4 in.
sheet: 5 5/8 x 3 15/16 in.
IHL Cat. #653
Kyoto Kinkakuji 京都金閣寺,
undated c. 1930s
artist: unknown
publisher: Takemura Hideo
[similar to Hasui Hp-45]
image: 5 7/16 x 3 11/16 in.
sheet: 5 5/8 x 3 15/16 in.
IHL Cat. #1424
Kyoto Kinkakuji 京都金閣寺,
undated (c. 1930s)
artist: unknown
publisher: Takemura Hideo
[mounted on greeting card]
[similar to Hasui Hp-45]
image: 5 7/16 x 3 9/16 in.
sheet: 5 9/16 x 3 11/16 in.
IHL Cat. #1668
Konjiki Pagoda 平泉金色堂,
undated (c. 1957)
artist: after Kawase Hasui (1883-1957)
publisher: likely Watanabe Shōzaburō
[simliar to Hasui Hp-47]
image: 5 1/4 x 3 3/8 in.
sheet: 5 5/8 x 3 5/8 in.
IHL Cat. #1536
onjiki Pagoda 平泉金色堂,
undated (c. 1957)
artist: after Kawase Hasui (1883-1957)
publisher: likely Watanabe Shōzaburō
[mounted on greeting card]
[simliar to Hasui Hp-47]
image: 5 5/16 x 3 3/8 in.
sheet: 5 11/16 x 3 5/8 in.
IHL Cat. #654
Sunset at Tokumochi (untitled) , undated (c. 1930s)
artist: unread ?春
publisher: likely Takemura Hideo
image: 5 3/16 x 3 3/8 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1456
Sunset at Tokumochi (untitled) , undated (c. 1930s)
artist: unread ?春
publisher: likely Takemura Hideo
[mounted on greeting card]
image: 5 3/16 x 3 3/8 in.
sheet: 5 5/16 x 3 7/16 in.
card: 6 3/8 x 4 5/8 in.
IHL Cat. #1457
-intentionally left blank-
Wakanoura 和歌の浦,
undated (c.1930s)
artist: Tsuchiya Kōitsu (1870-1949)
publisher: Doi Hangaten
image: 5 9/16 x 3 9/16in.
sheet: 5 3/4 x 3 13/16 in.
IHL Cat. #658
Nagao Pass 長尾峠,
orig. c. 1936 (this print likely post-WWII)
artist: unknown
[attributed to Tsuchiya Kōitsu (1870-1949)]
publisher: Baba Nobuhiko
image: 3 13/16 x 5 11/16 in.
sheet: 4 1/16 x 6 in.
IHL Cat. #659
Kyoto Maruyama 京都丸山,
undated (c. 1930s)
artist: Tsuchiya Kōitsu (1870-1949)
publisher: Takemura Hideo
image: 5 7/16 x 3 9/16 in.
sheet: 5 9/16 x 3 9/16 in.
IHL Cat. #1419
Kyoto Kiyomizu 京都清水,
undated (c. 1930s)
artist: Tsuchiya Kōitsu (1870-1949)
publisher: Takemura Hideo
image: 5 1/2 x 3 9/16 in.
sheet: 5 9/16 x 3 11/16 in.
IHL Cat. #1427
Boat in Evening Snow (untitled), undated (1950s/1960s)
artist: unknown
(sometimes attributed to Hasui)
publisher: unknown
(possibly Watanabe)
image: 5 3/8 x 3 5/16 in.
sheet: 5 13/16 x 3 7/8 in.
IHL Cat. #655
City in the Rain
町の雨 Machi no ame,
undated (c. 1930s)
artist: anonymous
[similar to Hasui Hp-45]
publisher: Takemura Hideo
image: 5 1/2 x 3 9/16 in.
sheet: 5 9/16 x 3 11/16 in.
IHL Cat. #1422
Bijin and Bamboo in Snow (untitled),
undated (c. 1930s)
artist: Utagawa Nobuyuki (1878-?)
publisher: Takemura Hideo
image: 5 3/16 x 3 5/16 in.
sheet: 5 5/16 x 3 7/16 in.
IHL Cat. #1428
Bijin in Snow (untitled),
undated (c. 1930s)
artist: Utagawa Nobuyuki (1878-?)
publisher: Takemura Hideo
image: 5 3/16 x 3 5/16 in.
sheet: 5 5/16 x 3 1/2 in.
IHL Cat. #1455
Peacock and Cherry Blossom, 1930/1936
artist: Ohara Koson (Shōson) (1877-1945)
publisher: Watanabe Shōzaburō
[post-card size print No. 427 removed from Watanabe 1936 catalog]
image: 5 /14 x 3 3/8 in.
sheet: 5 7/16 x 3 9/16 in.
IHL Cat. #1537
Cherry Tree Blossoms Under a Crescent Moon (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 7/16 in.
sheet: 5 3/8 x 3 7/16 in.
IHL Cat. #1463
Cherry Tree Blossoms under a Full Moon (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 1/2 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1464
Bamboo and Bird (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 1/2 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1465
Willow Trees, Boats on River and Bridge (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 1/2 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1466Farm Buildings in Snow (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 1/2 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1467
Village Houses in Snow (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
image: 5 3/8 x 3 1/2 in.
sheet: 5 3/8 x 3 1/2 in.
IHL Cat. #1468
Village Houses in Snow (untitled),
undated (c. 1930s)
artist: Yoshikawa Koshimine
(act. c. 1930s)
publisher: unknown (possilbly Tahemura Hideo)
[mounted on greeting card]
image: 5 3/8 x 4 1/2 in.
sheet: 5 3/8 x 4 1/2 in.
card: 6 5/16 x 4 5/8 in.
IHL Cat. #1468
Bamboo, (untitled)
c. late 1950s/mid 1960s)
artist: Ide Gakusui (1899-1978)
publisher: Watanabe Shōzaburō
image: 5 3/8 x 3 7/16 in.
sheet: 5 9/16 x 3 7/16 in.
IHL Cat. #2040
-intentionally left blank-
Bunny with Easter Basket (untitled), undated (c. 1930s)
artist: signature unread (possibly 福太 Fukuta)
publisher: Takemura Hideo
image: 5 3/8 x 3 1/2 in.
sheet: 5 1/2 x 3 5/8 in.
IHL Cat. #1430
Bunnies making Mochi (untitled),
undated (c. 1930s)
artist: signature unread (possibly 福太 Fukuta)
publisher: Takemura Hideo
image: 5 3/8 x 3 1/2 in.
sheet: 5 1/2 x 3 5/8 in.
IHL Cat. #1460
Rabbits in Grass (untitled),
undated (c. 1930s)
artist: signature unread (possibly 福太 Fukuta)
publisher: Takemura Hideo
image: 5 3/16 x 3 5/16 in.
sheet: 5 3/8 x 3 7/16 in.
IHL Cat. #1461
Small Format Prints - Shin Hanga and Ukiyo-e Reprints
Small hand-printed woodblock prints, such as the prints shown above, started to appear in large numbers in the 1930s to fill the need for inexpensive souvenirs and greeting cards. They are variouslyreferred to as Post Card size prints (hagakiban葉書版), Miniature prints and Small prints and range in size from approximately 2 x 3in. to 3.5 x 6 in.
The publisher Watanabe Shōzaburō (1885-1962) lists the sizes of these small prints in his 1936 catalog as follows:1
Post Card (hagakiban) Size – about 15.6 x 8.5 cm (6.1 x 3.3 in.)Medium (chū) Card Size – about 9.7 x 6 cm (3.8 x 2.4 in.)
Small (shō) Card Size – about 7.2 x 5.1 cm (2.8 x 2 in.)
Octavio (yatsugiri) Size - about 8.5 x 13 cm (3.3 x 5.1 in.)
Publisher's who issued small prints included Takemura Hideo, Shōbidō Tanaka, Doi Sasaichi (DoiHangaten), Baba Nobuhiko, Bijutshusha, Shima Art Company, and WatanabeShōzaburō.
Watanabe Shōzaburō in his1936 catalog specifically notes that “The colour-printsranging from Small Card to Post Card are used for Christmas cards.”2 He also provides the followinginstructions for placing orders for these prints:
Order for Colour Prints Hitherto my shop has frequently received orders for colour prints. The artists of Western painting place orders for a mere interest’s sake to distribute them among their friends. Menu cards, X’mas cards, posters, calendars, colour-print portraits, gardens, gifts connected with some remembrance, etc., have been made to order. Because materials and expert workmen are always ready, orders are promptly executed and completed with great care.3
It is not unusual to see these small prints mounted directly onto a special-ordered Holiday Card, such as the one pictured below.
The designs for these small prints were often taken frompreviously designed ōban-size prints or were newly created by both well-known, little known or unknown artists. Some of thedesigns bear signatures or seals of known artists, some bear signatures orseals that cannot be read or linked with known artists and some have nosignatures or seals at all, making attribution to a specific artist difficult,if not impossible.
紫園 Shien | 紫園 Shien | One commonly encountered seal reading “Shien” was, according to several sources (fnhttp://shotei.com/artists/shien/shien.htm and Artelino), a “house seal” of Watanabe publishing, with the actual designs being created by artists such as Shōtei, Ohara Shōson (Kōson), Kawase Hasui, Kasamatsu Shirō and Tsuchiya Kōitsu, among the best-known shin hanga designers of the period. |
Many of these small prints are strikingly similar in design, as we can see below in the prints.
In many cases it is unknown which publisher and artistoriginated a particular design, but the publisher Watanabe Shōzaburō made clearhis concern about copied designs in the copyright notice appearing in his 1936catalogue, as follows:
In case any picture already issued reproduced or copied by the third person without permission, he will be sued and judged as a violation of copyright, that is, as the infringement of property right.There had been examples that a few pictures issued by my shop were reproduced or copied without permission previous to the Great Earthquake disaster [1923] and after it. On each occasion the violator had to pay damages and to write letters of apology.”4
The subject matter for the bulk of these small shin hanga prints islandscapes, particularly of well-known scenic spots throughout Japan, and kacho-ga (bird and flower prints).
The small reproductions of ukiyo-e prints, copy, or borrow, from Edo-period designs and also feature landscapes along with bijinga and pictures of birds-and-flowers (kacho-ga). In his 1962 catalog the publisher Watanabe notes the following:
Some prints of Medium and Post-card sizes are pictures reproducedfrom the masterpieces by Hiroshige, Hokusai and Utamarao, etc. The old color prints of Regular size aretaken from photographs in diminished sizes and are pasted on woodblocks. Then black lines are engraved first,after which color-blocks are made from the sheets colored on the blacklines. Because they are diminished toabout one-tenth of the actual regular size, the engraving requires much skilland technique.5
By “reproductions” we mean the masterpieces of the great Ukiyoe (color –print) masters reprinted as nearly as possible like the originals, with the same technique and still as in olden times. Such reproductions serve the purpose of enabling us to appreciate the composition and coloring of the originals, which are usually very rare.6