About This Print
[On March 12] Satsuma troops were defeated by [General] Miura's 3rd Brigade in the Nabeta-Yamaga area [about 30km due north of Kumamoto Castle] and withdrew to the right flank of Saigo's main force. The defensive position was thus extended by an additional five miles to include the district from Torisu to Takaba. The casualties, both killed and wounded, were approximately equal on both sides, each army losing about 4,000 men.1
西國に叛賊の名を得て一時逆威を振ひ官軍に抗ずる勢ひあり屡(しばしば)天下を動乱なせし猛将ハ國賊の巨魁なる前原一誠ならん彼一誠が末の弟に前原一格ありて萩の敗走には身を潜み居て時來りぬと鹿兒嶋暴徒に與し(くみし)肩(せ)より脇へ白布を以て我姓名を書記し先鋒となりて山鹿口へ進撃し賊の運命盡ざるか(つきざるか)無事にありて官軍の渦巻中へ只一人馳入り弾丸雨注の下を往来し奮戦ありしか実に(げに)一格ハ一方の強徒といふべし
大夛鏛 編輯 (おおたじょう)
This installation features more than 30 loans from two remarkably rich local resources, the Lavenberg Collection of Japanese Prints, and the Lee & Mary Jean Michels Collection. It was co-curated by Professors Akiko Walley (History of Art and Architecture) and Glynne Walley (East Asian Languages and Literatures) and JSMA Chief Curator Anne Rose Kitagawa. QR codes on selected labels allow visitors to access translations and explanations of the complex wordplay, imagery, and cultural context of these fascinating objects.
ADACHIGinkō (安達吟光, active 1873-1902)
Japanese;Meiji period, March 26, 1877
Illustration of the Battle of Yamagaguchi fromthe Kagoshima News (Kagoshima ShinbunYamagaguchi sensō no zu)
Ukiyo-e woodblock-printed “brocade newspaper” (shinbun nishiki-e) vertical ōban triptych; ink and color on paper
TheLavenberg Collection of Japanese Prints, IHL.1974
This installation features more than 30 loans from two remarkably rich local resources, the Lavenberg Collection of Japanese Prints, and the Lee & Mary Jean Michels Collection. It was co-curated by Professors Akiko Walley (History of Art and Architecture) and Glynne Walley (East Asian Languages and Literatures) and JSMA Chief Curator Anne Rose Kitagawa. QR codes on selected labels allow visitors to access translations and explanations of the complex wordplay, imagery, and cultural context of these fascinating objects.
ADACHIGinkō (安達吟光, active 1873-1902)
Japanese;Meiji period, March 26, 1877
Illustration of the Battle of Yamagaguchi fromthe Kagoshima News (Kagoshima ShinbunYamagaguchi sensō no zu)
Ukiyo-e woodblock-printed “brocade newspaper” (shinbun nishiki-e) vertical ōban triptych; ink and color on paper
TheLavenberg Collection of Japanese Prints, IHL.1974
Translation of text on print:
As the Western insurgents made a name for themselves theystood momentarily poised to make good on their rebellion by resisting theGovernment forces. One of their fiercest commanders was no doubt Maehara Issei,a brigand chieftain and traitor to the nation who brought many a disturbance tothe realm. This Issei’s youngest brother was Maehara Ikkaku. In the retreatfrom Hagi, he hid himself, and when the time came he joined the Kagoshimarioters. Wearing a white cloth over one shoulder with his name written on it,he rode at their head, attacking at Yamagaguchi. Perhaps the brigands’ luck hadyet to run out, for he was unharmed even as he galloped around alone amid thevortex of Government soldiers, going back and forth under a rain of bullets. Itwas a ferocious battle – truly Ikkaku may be called a mighty warrior.
ŌtaJō, editor
Note:
Maehara Ikkaku is the figure onhorseback in the center of the composition. Hagi, in Yamaguchi Prefecture, wasthe site of a failed samurai rebellion in late 1876, a precursor to the SatsumaRebellion of 1877, of which the fighting at Yamagaguchi described here was aminor part. Despite the rebel heroics depicted in this print, the Governmentforces prevailed here as elsewhere.
(Glynne Walley, AssociateProfessor of East Asian Languages & Literatures)
Print Details
IHL Catalog | #1974 |
Title or Description | Kagoshima Shinbun: Illustration of the Battle of Yamagaguchi 鹿兒嶋新聞 山鹿口戰之圖 Kagoshima Shinbun: Yamagaguchi sensō no zu |
Artist | Adachi Ginkō (active 1874 – 1897) |
Signature | 依頼随 眞匠銀光 画 irai shitagai Shinshō Ginkō ga |
Seal | unread artist's seal as shown above |
Publication Date | March 26, 1877 (Meiji 11) 明治十年三月廿六日御届 |
Publisher | Kobayashi Tsunekichi 小林常吉 [Marks: seal not shown; pub. ref. 259] Left side of cartouche: left column - 出板人 publisher 小林常吉 Kobayashi Tsunekichi; right column - 水谷町四番地 publisher's address reading Hatchōbori Mizutanichō 4-banchi Right side of cartouche: left column - 画工 artist 安達平七 Adachi Heishichi; right column - 堀江町二丁目二番地 artist's address |
Carver | not given |
Printer | |
Impression | excellent |
Colors | excellent |
Condition | fair - numerous wormholes throughout |
Genre | nishiki-e; sensō-e |
Miscellaneous | 價六銭 price 6 sen |
Format | vertical oban triptych |
H x W Paper | R: 14 5/16 x 9 3/4 in. (34.9 x 23.5 cm) C: 14 3/8 x 9 5/8 in. (36.5 x 24.4 cm) L: 14 1/8 x 9 5/8 in. (35.9 x 24.4) |
H x W Image | R: 14 1/8 x 9 1/8 in. (34.9 x 23.5 cm) C: 14 1/8 x 9 7/16 in. (34.9 x 24 cm) L: 14 1/16 x 9 3/8 in. (35.7 x 23.8 cm) |
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