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Allegiance of the Entire Nation from the series Eastern Customs: Enumerated Blessings

Illustration of The Imperial Assembly of the House of Peers
 

Japanese Color Woodblock Print

Allegiance of the Entire Nation from the series

Eastern Customs: Enumerated Blessings

by Yōshū Chikanobu, 1889

Tanzi: He Fed His Parent's Doe's Milk, No. 10 from the series Juxtaposed Pictures of Twenty-four Paragons of Filial Piety

IHL Cat. #2206

About This Print


One of thirty prints in the seriesAzuma fūzoku, fukuzukushi (Eastern Customs: Enumerated Blessings), issued between 1887 and 1890.1  In the background of this print we see Emperor Meiji's Phoenix Carriage leaving the Imperial Palace grounds, having just passed over Nijubashi. The two women revelers in the foreground are festively dressed and a celebration is taking place. Given the print's date of 1889, the activities depicted must relate to the February 11, 1889 promulgation of the constitution. (Also see the prints IHL Cat. #1104 and #1978 for additional depictionS of the promulgation.)

Japanese art historian Lynn Katsumoto comments that the fan being held open by the woman with the parasol bears an inscription that might read 宝作万来 hōsaku banrai which could be taken to mean ”abundant harvests for all time to come” and that behind the title inscription in the upper right corner you can see an observation stand with purple bunting and a signboard with the partially obscured characters 万歳 banzai, the cheer that means "May His Reign Last Ten Thousand Years" (that is, forever). Both inscriptions befit a celebration for the new constitution.

1 This series has been variously translated as Eastern Customs: Varieties of HappinessCustoms of Tokyo, A Collection of "Fuku" WordsCustoms of the East, A Collection of Fuku WordsAn Array of Auspicious Customs of Eastern JapanCustoms of Edo: Enumerated FortunesCustoms of the Capital Displayed by Homonyms of the Word "Fuku"Collection of Happiness, Daily Life of the EastA Collection of Happiness, Customs in the East among others.

The Series Eastern Customs: Enumerated Blessings

Source: Chikanobu: Modernity and Nostalgia in Japanese Prints, Bruce A. Coats, Hotei Publishing, 2006, p.46 and my commentary.

"Some of these single sheet designs [in the series Eastern Customs: Enumerated Blessings] are among Chikanobu's finest renderings of Meiji period life, with elegant modern ladies dressed in the latest French fashions and handsome government officials donning their European style uniforms. He also created vignettes of daily life at home in Tokyo, with a baby learning to crawl, children playing games, young girls reading in the afternoon, and two young women enjoying flute music at dusk in an iris garden.

These images have a proud sense of well being, that Japan has successfully transitioned into the modern era but still retained the best aspects of its traditional culture. The Roman alphabet has been used in titles to give a contemporary global outlook to the prints, even though the letters spell Japanese words. These works were published at a time when discussions were taking place in Tokyo about whether Chinese characters (kanji) should be abandoned as too old fashioned and cumbersome, and how English should become more widespread in Japan as a way of making the Japanese more internationally conscious and competitive."

Many of the prints in the series, if not the entire series, were issued more than once, as color variants of many of the prints exist and varying dates of publication can be found on several prints. In addition, many of the prints in the series can be found both with dates in the publisher's rectangular cartouche or without dates.

The Thirty Prints in the Series
Note: Most of the below images were taken from the bound album in the collection of the National Diet Library, with other images coming from the bound album in the collection of the Metropolitan Museum of Art and the prints in the collection of Keio University Library. When multiple dates are shown below, it reflects that different copies of a particular print bear different dates. 


福引 (ふく引)
Lottery, 1889
“HUKU BIKI.”
福わらひ (福わらい)
Lucky Laugh Game, 1889 (Fukuwara Game)
”HUKU Warai.”

  ふくわうち (福は内)
Inside Happiness, 1887, 1889
“HUKU Wauthi”
福寿草
Pheasant-eye, 1890
“huku Giusoii”
馥郁
Fragrance, 1889
“HUKU IKU”
けんふく
Two Mirrors Looking, 1890
“Ken huku”
双幅
A Set of Hanging Scrolls, 1889
(Two Kakemonos)
"SOU HUKU.”


万民きふく
Allegiance of Everybody, 1889
“BANMIN kihuku”
七福まうで
 Visiting the Shrines of the Seven Lucky Gods, 1889
"7 Huku Maude.”

風ふく
Wind Blowing, 1889
"KAZE huku"
ふくろう
Owls, 1889
“HUKU RO”
紙ふく
Paper Blowing, 1890
“KAMI-HUKU.”
笛ふく
Blowing a Flute, 1889
“huye Huku.” 
ふくりん
Ornamental Border, 1887, 1890 
“HUKU RIN”*
*a type of flower

ふくべ
Gourds, 1890
huku be”
へんふ
Bats, 1887 and 1889
"hen HUKU"
子福者
Blessed with Many Children, 1890
“KOHUKU Sha”

妾ふ
Concubine's Children, 1890
"SHO HUKU"

匍匐 (葡匐)
Crawling, 1889
"HO HUKU"
 有ふく (有福)
Wealthy, 1890
"YUU huku"
ふく写
Photographs, 1890
"HUKU SHA"
 ふく神 (福神)
God of Fortune, 1890
”Huku Gin”


ふくどく
Supplementary Reading, 1887, 1889
“HUKU Doku”

呉服
Kimono fabrics, 1887, 1889
"GO Huku"
ふぶく
 Blizzard, 1889
"HU HUKU"
 洋ふく
Western Clothing, 1889
"YOU Huku "
大 礼ふく(大札ふく) – Ceremonial Attire, 1889
(Official Clothes)
”TAIREI HUKU”

美ふく
Fine Dress, not dated
“BI huku”
 
福ねずみ (福ねづみ)
Lucky Mice, not dated
“HUKU Nezumi"
霧ふく
Spraying Water, 1889
"Kiri huku"
 

Print Details

 IHL Catalog
 #2206
 Title or Description Allegiance of the Entire Nation
 万民きふく banmin kifuku
 Series Eastern Customs: Enumerated Blessings
 
東風俗 福づくし Azuma fūzoku, fukuzukushi
  [also seen translated as Eastern Customs: Varieties of Happiness; Customs of Tokyo, A Collection of "Fuku" Words; Customs of the East, A Collection of Fuku Words; An Array of Auspicious Customs of Eastern Japan; Customs of Edo: Enumerated Fortunes; Customs of the Capital Displayed by Homonyms ofthe Word "Fuku"; Collection of Happiness, Daily Life of the East; A Collection of Happiness, Customs in the East]
 Artist Yōshū Chikanobu (1838-1912)
 Signature
楊洲周延筆 Yōshū Chikanobu hitsu
 Seal no artist's seal
 Publication Date
1889 Meiji 22
note: printing and publication dates are not filled in on the publisher's cartouche on this collection's print (see below) but other extant prints bear the date Meiji 22
 Publisher
武川卯之吉 Takekawa (Takegawa) Unokichi
[Marks: pub. ref. 522; seal not shown]
 Impression excellent
 Colors excellent
 Condition excellent 
 Genre ukiyo-e
 Miscellaneous

 Format ōban
 H x W Paper 
 14 1/16 x 9 5/8 in. (35.7 x 24.4 cm) 
 H x W Image
 13 1/8 x 9 1/16 in. (33.3 x 23 cm)
 Literature 

 Collections This Print
Digital Collections of Keio University Libraries 023 257; National Diet Library Call Number 寄別8-5-2-2 (25 prints in the series bound into an album); Edo-Tokyo Museum 95201538; Metropolitan Museum of Art 2007.49.331a, (26 prints in the series bound into an album) 
last revision:
2/8/20 created