About This Print
Source: "Kawanabe Kyosai and Toyohara Kunichika," by Shigeru Oikawa appearing in Time Present and Time Past: Images of a Forgotten Master: Toyohara Kunichika (1835-1900), by Amy Reigle Newland, Hotei Publishing, 1999, p. 40, 42.
In 1877 the publisher Sawamuraya Seikichi issued this collaborative print by Kunichika and Kyosai, the only collaborative triptych by the two artists. “Kunichika contributed the fore- and middle-ground scenes illustrating figures in aristocratic dress, which are apparently a reference to the 11th-century Tale of Genji. The background is dominated by Kyosai’s rendition of a western-style suspension bridge which had recently been built on the grounds of the imperial palace in Tokyo.” The artists have signed the print in the areas of their contribution. Kunichika’s signature in the right panel is proceeded with the two characters 人物 (“jinbutsu”) meaning “human figure by.”
Kunichika and Kyosai were two of the most popular woodblock print artists of the 1870s. Contemporaries, they were “well-acquainted, but at times adversarial, companions.” It was not unusual for publishers to have multiple artists work on different portions of a single print, each being assigned their design strength. Kyosai and Kunichika first collaborated in 1875 on four prints in the series Collection of Famous views of Modern Tokyo1, published by the same publisher of this triptych.
1 See the print The Entrance of Asakusa Temple: Taking a Portrait of the Nio Guardians for additional information on this series.
Print Details
IHL Catalog | #493 | ||
Title or Description | New Year's Outing Before a Suspension Bridge Azumagenji no uchi komatsubiki sonō no tsuribashi 東源氏之内 小松曳園生之釣橋 | ||
Artists | Toyohara Kunichika (1835–1900) and Kawanabe Kyōsai (1831-1889) | ||
Signatures | center: 豊原国周 筆 Toyohara Kunichika hitsu left: 應需 惺々狂斎 ōju Seisei Kyōsai 上野丁一丁目十二バンチ (Ueno address) | ||
Seal of the Artist | red Toshidama seal beneath Kunichika signatures | ||
Publication Date | January 12, 1877 明治10 | ||
Publisher | Sawamuraya Seikichi 沢村屋清吉 武川清吉 板 Takekawa Seikichi han 須田町四バンチ Su Yonchō 4-banchi [Marks: seal 26-081; publisher ref. 459] | ||
Carver |
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Printer | |||
Impression | excellent | ||
Colors | excellent | ||
Condition | good- minor soiling mainly visible in margins; full margins; separate sheets; not backed | ||
Genre | ukiyo-e; 源氏絵 genji-e | ||
Miscellaneous | |||
Format | vertical oban triptych | ||
H x W Paper | 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm) each sheet | ||
H x W Image | |||
Collections This Print | Tokyo Metropolitan Library 193-C002 (01, 02,03); Waseda University Library 文庫30 B0227 | ||
Literature | Time Present and Time Past: Images of a Forgotten Master: Toyohara Kunichika (1835-1900), by Amy Reigle Newland, Hotei Publishing, 1999, fig. 12 p. 42. |
8/6/2021
5/22/2021