Week 4: The Protestant Reformation

Discussion: Reformation and Revolution: Documents of the Peasants' War



The Evangelical Revolt
Image: A fanciful representation by the nineteenth-century artist, Anton von Werner (1843-1915), of Martin Luther at the Imperial Diet of Worms, 1521, defiant in defense of his ideas before the Emperor, Charles V. 

I. Introduction: The “Great Man” Theory of Reformation

Film Clip: Luther at the Diet of Worms (1521)
Image: Erasmus of Rotterdam (1469-1536)
Image: The Execution of Jan Hus (1415)
Map: Electorates and Imperial Cities

II. What Was the Reformers' Message?
A. The Penitential Cycle of Pre-Reformation Catholicism
B. The Protestant Cycle of Salvation
1) Original Sin and Divine Law
2) Faith and Justification

Map: The Holy Roman Empire of the German Nation, ca. 1400
Graph: The Penitential Cycle of Late Medieval Catholicism
Graph: The Protestant Scheme of Human Salvation

III. Cultural Consequences
A. The Transformation of Religious Practice
B. The Living and the Dead

Maps: The Spread of Protestantism to 1650
Protestantism, 1530
Protestantism, 1560
Protestantism, 1600
Protestantism, 1650

Image: Hans Baldung Grien, Luther Inspired by the Holy Spirit (1521)
Image: Hans Holbein the Younger, Hercules Germanicus (1523)
Image: Lucas Cranach the Elder, Portrait of Luther (1533)

Image: Incombustible Luther (1689)

Image: Martin Luther's signature


One of the earliest portraits of Luther, Lucas Cranach the Elder (1520), showing the reformer in a the garb of an Augustinian monk with a tonsure. The legend reades: "Lucas' pen portrays the mortal features, Luther himself the eternal image of his spirit." Source: 'Luther as a Monk' by Lucas Cranach the Elder in Curt Glaser (ed) 'Lucas Cranach'; Deutsche Meister, edited by Karl Schaffer und Curt Glaser (Leipzig: Insel Verlag, 1921), p.151; Image source.

Identifications:

Martin Luther (1483-1546)
Ninety-Five Theses (1517)
University of Wittenberg (Saxony)

Erasmus of Rotterdam (c. 1466-1536)
Indulgences

Justification--the process by which righteousness is "imputed" to the faithful
Sanctification--the process by which the curse of Divine law is removed

"Cloak of Alien Righteousness"

  • Sola fide: Salvation by faith alone
  • Sola gratia: Salvation by grace alone
  • Sola scriptura: Salvation by scripture alone
Iconoclasm--the destruction of images as idols


Frontispiece of the an edition of the Twelve Articles of the Peasants (1525)

A “Revolution of the Common Man”?

I. Why Was Reform Appealing?
A. The Appeal to Intellectuals and Clergy
B. The Appeals to City Folk: Reformation and “Sacral Community”
C. The Appeal to Rural Folk: A Revolution of the “Common Man”?

II A Reformation for Women?

Map: The spread of "Protestantism," 1530-1650

Map: The Imperial Church (Reichskirche)
Erasmus of Rotterdam (1465-1536)
Georg Witzel (1502-1573)


Ulrich von Hutten (1488-1523)
Satirical Reformation Broadsheets
Image: Nuremberg ca. 1572
Chart: Protestant Marriage Law
Map: Imperial Cities and Reform

Map: The Peasants' War (1524-1525)

Graph: The Media Revolution and Reformation

Katharina von Bora (1499-1552), by Lucas Cranach the Elder (1472-1553). Image source: Wikimedia Commons. Katharina von Bora was a Cistercian nun who abandoned her convent near Grimma in 1523 and married Martin Luther in 1525.


Identifications:

“Sacral Community”: the idea that political communities -- be they cities, towns, or villages -- are more than just political entities, but also have a vital role to play in the cultivation of religious life, even the process of salvation itself.

The Peasants' War (1524-1525)

Erasmus of Rotterdam (1465-1536)
Huldrych Zwingli (1484-1531)
Zurich (Switzerland) 

Jean Calvin (1509-1564)
Institutes of the Christian Religion (1535)
Geneva (Switzerland)


Huldrych Zwingli (1484-1531)

The Media Revolution of the Fifteenth Century
Image left: A column of type from Genesis 1 of the Gutenberg Bible. Source: British Library, Gutenberg Bible Online. Image right: the firstbest-seller: Thomas a Kempis, Imitatio Christi (Augsburg, Günther Zainer, not after 1472 ); image source: Ritman Library

I. Introduction: From the “Scribal Tradition” to “Print Culture”

Map: The spread of printing (1450-1500)

II. Some Elements of the Media Revolution

A. Dissemination
1) The Retreat of the Manuscript
2) Expanded Horizons
3) Propaganda and Censorship

B. Standardization
1) Norming Texts
2) Norming Languages
3) Standardizing Cultures

Image: A medieval scriptorium
Before dissemination
Censorship
Propaganda
Comparison
Standardization

Graph: The Media Revolution and Reformation


Identifications:

Scriptorium (pl. Scriptoria)

Johannes Gutenberg (d. 1468)
Gutenberg Bible (1455) 
“Polyglot Bibles”

Index of Prohibited Books (Index Librorum Prohibitorum, 1559)
William Caxton (1422-1491)

A sample of William Caxton's English typeface.
 


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