The Emperor and Empress - An Overview

Source: Canadian Heritage Information Network website http://agora.museevirtuel.ca/edu/ViewLoitLo.do;jsessionid=A6D91E974BCBE59D18176D1CA9FF6468?method=preview&lang=EN&id=12984
In 1867, after the death of the Emperor Komei, the throne was passed to his son, Mutsuhito, who became known posthumously as Emperor Meiji, meaning "Enlightened Ruler."  During the Tokugawa period (1603-1868 and also known as the Edo period), the emperor, considered by the Japanese to be a divine ruler, was a ceremonial head of state, divested of political power. All administrative and military functions were governed by the shoguns, who had been appointed by the emperor. However, in 1869 the young emperor’s position changed dramatically when he moved from Kyoto to Tokyo, the new capital, and supported the government’s efforts to centralize power and modernize the nation. Allowing his ministers to govern affairs of state, the emperor concentrated on becoming a symbol of modernization. Through his example, he guided the Japanese to accept the rapid changes in their society. He led the way to modernization in 1872 by cutting his topknot, preferring a Western hairstyle and mustache, and wearing Western clothing for official appearances.

Haru-ko, the wife of the Meiji Emperor, was the daughter of a high noble of the court of Kyoto. Like the emperor, she, too, broke with tradition and became a symbol of modernity. In 1873, she abandoned the traditional custom for married women to shave their eyebrows and blacken their teeth. The empress became involved in the war effort during the Sino-Japanese and Russo-Japanese wars, frequently visiting the military hospitals. Committed to the education of young Japanese women, she encouraged them to keep up with the changes in fashion and manners that were affecting Japanese society. She founded the Red Cross Hospital at Shibuya in Tokyo, and she devoted a great deal of time to a variety of charitable causes. In 1886, it was decided that the empress should wear Western-style dresses for public occasions, and on January 17, 1887 an official proclamation urged all women to follow her example. However, like most Japanese, both the emperor and his wife wore traditional garments when in private.

The Crown Prince (1879-1926)

Source: Emperor of Japan: Meiji and His World, 1852-1912, Donald Keene, Columbia University Press, 2002, p. 471. Although crown prince Yoshihito (the future Emperor Taisho) actually spent little time in his father's presence, from 1887 he was frequently portrayed along with the emperor and empress in nishikie...  Sometimes the prints depict the prince standing between his parents, as if to emphasize the domestic harmony within the imperial family.

¹ Emperor of Japan: Meiji and His World, 1852-1912, Donald Keene, Columbia University Press, 200, p. 211.
² Japan at the Dawn of the Modern Age – WoodblockPrints from the Meiji Era, Louise E. Virgin, Donald Keene, et. al.,MFA Publications, 2001, p. 38.
³ It is reported that in 1882 print publishers received a warning about depicting the emperor in the company of consorts and that for a brief period depictions of "Their Sacred Imperial Majesties" were prohibited.