SHIN NIGAO MAGAZINE
新似顔
Natori Shunsen (1886-1960)Tōzō in the role of Susanoo no Mikoto
Front cover from issue #5 (the last issue) of Shin Nigao
IHL Cat. #581
About the Magazine Shin Nigao
Source: Hanga Gallery website http://www.hanga.com/genre/actors/ and the website of JapanesePrints-London http://www.japaneseprints-london.com/6024/shiba-shin-nigao-e-published-1915/ and the tables of contents of the four of the five issues of the magazine.Duringthe Taisho period (1912-1926), many of the urban Japanese youth weredrawn away from kabuki to more modern forms of entertainment,especially Western imports like cinema and baseball.
One notableeffort to revive interest in actor prints was the publication of ShinNigao 新似顔 (New Portraits) magazine in 1915. This art magazine was acollaboration among several Japanese artists, including Natori Shunsen (1886 - 1960), Ishii Hakutei (1882-1958), and Yamamura Toyonari (1885-1942). The general purpose of ShinNigao was to advertise for the kabuki theater, but it also gave theartists a chance to express themselves in new ways. A total of 77 prints were published in the magazine over five issues, with each of the first four issues featuring 14 small woodblock prints and the fifth, and last, the "Coronation" issue, featuring 21 prints, including five portraits of officials associated with the November 1915 enthronement ceremonies of Emperor Yoshihito (Emperor Taishō) and portraits of geisha from Tokyo and Kyoto who performed at the ceremonies.1 All of the prints were carved by Igami Bonkotsu 伊上凡骨, a master artisan who was a friend of the artist Ishii Hakutei. Prints in issues 2 through 5 were also printed by Igami with prints in issue 1 being printed by Nakamura Sanjirō 中村三次郎. Most of the prints included in Shin Nigao areportraits based on simple line drawings. A few of these small printswere used as the basis for similar but more detailed shin hangaproduced by these same artists in later years.
The magazines are also notable for the involvement of well-known poets and writers including Inoue Kankabō 井上剣花坊 (1870-1934), Shōyō Matsui 松居松葉 (1870-1933) and Yosano Akiko 與謝野晶子 (1878-1942) who contributed poems and essays.
In the first issue of the magazine, the prints were bound into the magazine with the adjoining page providing details on the print, but in subsequent issues the prints were "tipped" onto a page which provided the title of the print (actor and role being played) and the artist's name directly below the print.
Although Shin Nigaoattracted some interest, production of the magazine ended after onlyfive issues.
Covers of the five issues of Shin Nigao
Source: Shin-hanga, New Prints in Modern Japan, Brown, Kendall H. and HollisGoodall-Cristante, LosAngeles County Museum of Art in association with Univ. of WashingtonPress, 1996, p. 49.Shin hangaartists were familiar with classic ukiyo-e representations throughreproductions, such as Hashiguchi Goyo’s (1880-1921) editions after Utamaro (1754-1806) and Sharaku (1770-1825), aswell as through many extant Meiji prints. That many of these conventions (the portrait bustcomposition and strong lines of traditional ukiyo-e actor prints)survived into the Taisho period is witnessed in Shin Nigao (New Portraits), a short-lived magazine of 1915, which published fourteen orfifteen woodcut actor portraits in each of its five issues.
Thesmall (approx. 7 x 4 1/2 in.) Shin Nigao prints preserve the portrait bust composition andstrong lines of traditional ukiyo-e actor prints but often add agreater sense of volume and a rough style of cutting that suggest theWestern sketch tradition. However, the traditional ukiyo-e emphasison the character of the dramatic personage obscures almost any sense ofthe actor’s personality.
Source: Printed to Perfection – Twentieth-century Japanese Prints from theRobert O. Muller Collection, Merviss, Newland, et. al., Hotei Publishing, 2004, p. 26-27.
Shin Nigao is signal as it represents thecollaboration between sosaku hanga and shin hanga artists, and as suchchallenges the preconception that clear-cut boundaries existed betweenthe two camps. The artists involved in Shin Nigao hoped that theirwork would fuel interest in actor portraiture in the early Taishoperiod, for as is stated in the third issue:
…in the past werenigao-e [actor portraits] by the Torii and Utagawa Schools, but despite the skill in thecraft of the print master, in the technique of the printing with thebaren and the skill of the woodblock master they gradually declined bythe end of the Meiji. Other means like lithographic pictures and colorphotography appears to be spreading the proud face of the times; it isindeed regrettable…
1 See the prints IHL Cat. #s 219, 280, 848 and 851 below, depicting a Noh performer in the play Okina (219), two Goseki dancers (280 and 251) and Prime Minister Ōkuma (848).
Table of Contributing Artists
Contributing Artist | Issue 1 第一年初編 June 1915 | Issue 2 第一年貮編 July 1915 | Issue 3 第一年参編 August 1915 | Issue 4 第一年四編 October 1915 | Issue 5 第一年五編 November 1915 | Total Prints Contributed |
IshiiHakutei 石井柏亭 | 0 | 2 | 2+cover | 1+foldout | 0 | 7 |
IshizukaKan 石塚翰 | 0 | 0 | 0 | 0 | 2 | 2 |
KoitoGentarō 小絲源太郎 | 0 | 0 | 0 | 0 | 1 | 1 |
KondōKoichirō 近藤浩一路 | 0 | 0 | 0 | 0 | 1 | 1 |
MatsudaSeifū 松田 青風 | 4 | 2 | 3 | 1+cover | 3 | 14 |
NatoriShunsen 名取春仙 | 5 | 3+cover | 4+foldout | 5 | 9+foldout+cover | 30 |
OgawaHyōe 小川兵衛 | 1 | 1 | 1 | 1 | 3 | 7 |
TerasawaKōtarō 寺澤孝太郎 | 0 | 2 | 0 | 0 | 0 | 2 |
ToriiKotondo 鳥居言人 | 1 | 0 | 0 | 0 | 0 | 1 |
YamamuraKōka 山村耕花 | 3 | 2+foldout | 2 | 4 | 0 | 12 |
TOTAL EACH ISSUE | 14 | 14 | 14 | 14 | 21 | 77 |
Reference for All Five Volumes Complete
website of Art Research Center (ARC)
Koito Gentarō
(1887-1978)
Hikosaburō
in the role of Genba
Issue 5, November 1915
IHL Cat. #850
Ishii Hakutei
(1882-1958)
Sketches of Five Actors
Issue 2, July 915
IHL Cat. #848 in the role of Gautama Buddha勘彌 釋迦the Issue 3, August 1915cover
in the role of Warrior Priest Kōku Issue 3, August 1915 IHL Cat. #256 and #1483 |
Ishizuka Kan (active c. 1915) Issue 5, November 1915 IHL Cat. #220 | Tonko courtesan of Yanagibashi Issue 5, November 1915 | Kondō Koichirō (1884–1962) Noh Play Okina (Kanze-ke) Issue 5, November 1915 IHL Cat. #219 | Issue 1, June 1915 IHL Cat. #2178 |
Matsuda Seifū in the role of Nango Rikimaru Issue 2, July 1915 | | Matsuda Seifū |
Matsuda Seifū | Natori Shunsen Issue 1, June 1915 IHL Cat. #1965 | in the role of Kyuui? 八百藏 休意 Issue 1, June 1915 | |
IHL Cat. #2177 |
Issue 3, August 1915 |
[Hatsuse] Namiko in the role of Matsushima 浪子 松島 Issue 3, August 1915 | [Sawamura] Sojurō in the role of [Fukuoka] Mitsugi 澤村宗十郎の福岡貢 Issue 3, August 1915 | IHL Cat. #294 | Sadayakko in the role of Queen Artes Issue 4, October 1915 |
Natori Shunsen (1886-1960) Kichiemon in the role of Taira Tomomori Issue 4, October 1915 | Natori Shunsen (1886-1960) Mitsugoro in the role of Minamoto Yoshitsune Issue 4, October 1915 | Natori Shunsen (1886-1960) Kikugorō in the role of Jinzō Issue 4, October 1915 | Natori Shunsen (1886-1960) IHL Cat. #241 |
Issue 5, November 1915 Fushimi Taishi Fushimi Taireishi Sosaikan Denka伏見太子短冊 frontispiece, foldout | Natori Shunsen (1886-1960) Courtesan Otomaru from Shinbashi Issue 5. November 1915 | Natori Shunsen (1886-1960) Courtesan Shori from Nihonbashi Issue 5, November 1915 |
Natori Shunsen (1886-1960) IHL Cat. #490 | Natori Shunsen (1886-1960) Utaemon in the role of Komurasaki Issue 5, November 1915 | Natori Shunsen | in the role of Sawaichi and Kakuko in the role of Osato Issue 1, June 1915 IHL Cat. #2160 |
Torii Kotondo (1900-1976) Kikugorō in the role of Sukeroku Issue 1, June 1915 IHL Cat. #2175 | Yamamura Toyonari (1885-1942) Sōjūrō in the role of Yosaburō Issue 1, June 1915 IHL Cat. #2161 | Yamamura Toyonari (1885-1942) Matsusuke in the role of Komori Yasu in the play Yowa Nasake Ukina no Yoroguchi Issue 1, 1915 | Yamamura Toyonari (1885-1942) Ritsuko in the role of Kiyoko Issue 1, June 1915 IHL Cat. #2162 |
Yamamura Toyonari (1885-1942) Issue 2, July 1915 frontispiece, foldout | Yamamura Toyonari (1885-1942) Sonosuke in the role of Koharu Issue 2, July 1915 IHL Cat. #242 | Yamamura Toyonari (1885-1942) Onoe Matsunosuke in the role of Chōsuke Issue 2, July 1915 | Yamamura Toyonari (1885-1942) Kichiemon in the role of Tojuro Issue 3, August 1915 |
Yamamura Toyonari (1885-1942) Kikugorō in the role of Jūjirō Issue 3, August 1915 IHL Cat. #1964 | Yamamura Toyonari (1885-1942) Kōshirō in the role of Mitsuhide Issue 4, October 1915 IHL Cat. #244 | Yamamura Toyonari (1885-1942) Kikugorō in the role of Shinzō 菊五郎 新三 Issue 4, October 1915 | Yamamura Toyonari (1885-1942) Kikujirō in the role of Okuma 菊次郎 おくま Issue 4, October 1915 |
Yamamura Toyonari (1885-1942) Onoe Matsusuke IV in the role of Chōbei Issue 4, October 1915 |
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